Canon EOS 70D Hands-On, Review, Main features, and More Info

Changing the way users capture still images and video with a DSLR camera, Canon proudly introduces the EOS 70D.

At the core of the 70D's modifications is what Canon's calling Dual Pixel CMOS AF. Essentially, the sensor includes twice the number of pixels in an (very successful) attempt to improve focusing. There are 40.3 million photodiodes on the sensor, and when they're all working together, "it's like 20 million people tracking the focus with both eyes," as Canon explains. The result is camcorder-like focusing for both stills and video, when you're shooting in live view mode. During our test with a pre-production sample, the device performed phenomenally, adjusting focus instantaneously when snapping stills, and quickly but gradually when recording video.

Reviewing- Canon EOS 70D main features:

• 20.2 Megapixel CMOS (APS-C) sensor, 14-bit A/D conversion, ISO 100-12800 (expandable to H: 25600) for shooting from bright to dim light and high performance DIGIC 5+ Image Processor for exceptional image quality and processing speed. 

• EOS Full HD Movie mode with Movie Servo AF for improved continuous focus tracking of moving subjects, manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 30p (29.97) / 25p), built-in stereo microphone, manual audio level adjustment with attenuator function to reduce audio clipping, and Video Snapshot with editing for expanded movie shooting options. 

• Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation and Touch AF for an easy and intuitive experience, flexible positioning, and clear viewing even when outdoors in sunlight.
• Built-in wireless technology allows you to wirelessly transfer your images to social networking sites through CANON iMAGE GATEWAY, share your images with wireless-enabled Canon cameras, or upload virtually anywhere on your iOS® or Android(TM) smartphone* with the free download of the EOS Remote app.
• Canon's innovative Dual Pixel CMOS AF enables you to shoot video like a camcorder with smooth, fast, and accurate autofocus; lets you enjoy instant and precise autofocus even when shooting stills from a variety of angles with the freedom provided by the Vari-angle LCD. 19-point all cross-type AF system (including a high-precision f/2.8 dual cross-type AF center point) with a wide area arrayfor exceptional autofocus performance and greater compositional freedom when shooting with the viewfinder. Intelligent Viewfinder with superimposed LCD display provides approximately 98% field of view, and Multi-Aspect ratio in Live View broadens your choices in composition. 

The 60D will be discontinued, but the 7D will remain on the market -- for a while longer, at least. Still, if you're looking for a DSLR primarily for shooting video, the 70D is where it's at.

Canon related guide:

• Transcode Canon PowerShot N to FCP X
• Canon EOS 6D MOV to FCP
• Edit T2i/550D MOV in FCP X
• Transcode T5i MOV to FCP 6/7
• Convert 650D/T4i MOV to Prores for FCP
• Edit Canon EOS T4i MOV in iMovie

The Way for Editing Canon PowerShot S110 MOV footage in FCP 6/7/X on Mac

Summary: Follow the guide below you will get the easy way to transcode Canon PowerShot S110 MOV to FCP 6/7/X for editing with ProRes codec. 

Canon PowerShot S110：Top-quality stills and video, plus a hatful of features – our new favourite compact camera.

S110 offers a maximum ISO of 12800 at full resolution, built-in wi-fi connectivity, GPS functionality via pairing with a smartphone, 1080p movie recording at 24fps, full range of manual shooting modes, RAW format support and 10fps burst shooting.

If you have got the  S110 and often use it to record 1080P video, you may have the need to edit Canon PowerShot S100 MOV in Final Cut Pro 6/7/X on Mac. The FCP 6/7/X best supported video format is Apple ProRes 422 codec MOV format, so FCP doesn't support Canon PowerShot S110 mov footages well, you may encountered many problems, like import it slowly, and couldn't edit videos smoothly.

The best method to solve these problems is to convert S110 MOV footage to ProRes for editing in Final Cut Pro 6/7/X, you can follow the steps below to transcode Canon PowerShot S110 MOV to FCP 6/7/X for editing.

1. Download Pavtube HD Video Converter for Mac. This professional Mac HD Video Converter can help you convert Canon PowerShot S110 H.264 mov files to ProRes 422 MOV format for Final Cut Pro 6/7/X, more output formats are also supported.



2. Install and launch this Canon MOV Converter for FCP. Import Canon PowerShot S110 .mov footage to the converter.


3. Click format bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).



4. You can click "settings" to customize the output parameters, adjust the resolution, bitrate as you want.



5. Click "Convert" button to start.

Once you have finished the conversion, you can import Canon PowerShot S110 1080p mov video files to Final Cut Pro 6/7/X for editing easily.

P.S. 

This Canon MOV to Prores Converter also highlight with importing Canon S110 1080p mov to iMovie, just enjoy yourself. 

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MXF workflow for Canon XF305 and Final Cut Pro 6/7

By transcoding Canon XF305 MXF to ProRes MOV format, you can easily import & edit XF105 recorded MXF footage in Final Cut Pro 6/7 without rendering.

Canon XF305 is a successful example in the XF series camcorders, it record vivid HD videos in MPEG-2 compression. MXF is excellent, however, it is not an ideal editing format for FCP 6/7, that is to say, you can't import and edit Canon XF305 in FCP 6/7,for example:

I got Canon XF305 recently and it output MPEG-2 MXF files. I tried to import the MXF videos to Final Cut Pro 6/7, but it did not recognized. Any suggestions? How can I solve this problem? Thanks.


To smoothly edit Canon XF305 MXF in FCP 6/7, the conversion between Canon MXF and Final Cut Pro is necessary. Here, Pavtube's MXF to Final Cut Pro Converter for Mac is highly recommended, which can convert Canon XF305 MXF to MOV,say, the Apple ProRes encoded MOV format on Mac.

It is good at batch converting MXF recordings shot by Panasonic P2 camcorders, Canon XF series cameras to ProRes/AIC MOV formats compatible with your Mac Video editing software like Final Cut Pro (x), iMovie, Final Cut Express. Now follow the guide below to convert Canon XF305 MXF to FCP ProRes MOV easily on Mac.

Guide- Convert/Transfer Canon XF305 MXF to ProRes for FCP 6/7 editing smoothly 

Step 1. Free download and run the best Canon MXF to FCP Converter for Final Cut Pro 6/7, add MXF captured videos to the program.

You can not only click "add video" button to import Canon mxf files, but also you can click "add from folder"button to add MXF folder.




Step 2. Select output profile. If you want to edit MXF file in Final Cut Pro 6/7, suggest you choose Final Cut Pro > Apple ProRes 422(*mov).

Step 3. Click Convert" button to start transcoding Canon XF305 MXF to ProRes MOV for Final Cut Pro 6/7.

Some more helpful features of the batch MXF to MOV Converter for Mac:

1. Settings- click to set video resolution(1920×1080/1440×1080/1280×720/720×480), bitrate (from 1Mbps to 20Mbps), frame rate (24p/30p)

2. Editor (next to "Add" icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

Once the MXF to MOV Conversion is done, you can go to the output folder to find the converted video files. Now you are free to import Canon XF305 MXF files in Final Cut Pro for editing under Mac without problems.

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Canon 50D gains video recording through Magic Lantern RAW hack

It may be time to dust off that Canon 50D you purchased back in 2008. The folks behind the Magic Lantern firmware add-on have pulled yet another rabbit out the proverbial hat (or is it lantern?) by enabling RAW video recording on the APS-C-based DSLR. What's even more impressive is that the 50D lacks video support out of the box, so this new-found functionality is truly magical. This hack comes hot on the heels of the Magic Lantern team coaxing the Canon 5D Mark II / III into capturing 24 fps RAW video.

With the firmware add-on installed, the 50D is capable of shooting video up to 1592 x 1062 pixels at 30 fps. There are some caveats, though. First, there's no audio recording since the camera lacks a microphone input and associated electronics. Second, capturing RAW video requires fast CF cards (at least UDMA 6). Third, we now fully expect to see the 50D skyrocket in value on the used market. Hit the break for a few sample videos.

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RAW 24fps DNG video hits the Canon EOS 5D Mark III via Magic Lantern!

It's no secret that Canon's 5D Mark III is the go-to DSLR for videographers the world over, but things are about to become a whole lot more interesting. The people behind Magic Lantern have successfully coaxed the 5D Mark III into shooting 24 fps RAW video at resolutions up to 1,920 x 820 pixels using 1000x speed cards. If you're not familiar with Magic Lantern, it's an open source firmware add-on that brings additional functionality to Canon EOS cameras. The ability to capture RAW video at 24 fps improves dynamic range and resolution -- it also provides extra flexibility during post-production. According to the team at Magic Lantern, more work is required before the feature is ready to be deployed. So until then, you're invited to follow the via link below and watch the RAW vs. H.264 videos after the break, or if you're feeling brave, check the source for download locations.

Yes, thoungh initially the Magic Lantern team didn’t even think it was possible, they’ve now enabled 24fps RAW HD video (without sound) on the Canon EOS 5D Mark III! 

This is HUGE news. The dynamic range is now in the range of what people are so excited about with the Blackmagic Cinema Camera and Alexa and other cams. 

So what does this mean? As I mentioned above, the dynamic range of the video is stunning and is on par with the Blackmagic Cinema Camera and other cameras.  

Update: We just received news from Magic Lantern that Canon's Mark II is now also a go for 24 fps with the new firmware. Nic from the development team said "After some further testing it is clear the older, cheaper Mark II should be able to record at least resolutions of 1880x840 in full-frame mode (with line skipping)."

More info for you：

• Canon 5D Mark 3 to iMovie
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FCP and Canon MOV transcoding- Convert Canon 1D H.264 MOV to FCP X with Apple ProRes

Canon EOS-1DX, a fantastic camera that can deliver high quality videos with the full-frame 18.1 Megapixel CMOS sensor and all-new Dual DIGIC 5+ Image Processors, features the Enhanced EOS HD Video at 1920 x 1080 in selectable frame rates of 24p, 25p, or 30p; and 720p HD or SD video recording at either 50p or 60p. In the dimmest low-light conditions it can also provide sharp, low-noise images low-noise images.


However, here comes the problem. How can we edit video files shotting by Canon EOS-1D C in FCP? We all know that Final Cut Pro provides non-linear, non-destructive editing of any QuickTime compatible video format . But frequently, we will notice that, sometimes .MOV video files taken by some DSLR camcorders could not be read by FCP directly, such as Nikon DSLR, Canon DSLR. Why? It is codec problem that MOV works as container format which can hold most codec data, but it still may contain the codec that FCP could not recognize just as Canon EOS-1D C MOV files. If you want to import Canon EOS-1D C MOV to FCP for better video enjoyment, you will have to use a practical Mac MOV to FCP converter.

Final Cut Pro supported best video format is Apple ProRes 422 Codec MOV format, so in a word, you need to convert EOS 1D MOV to ProRes 422 codec MOV format . You can follow the steps below to edit EOS 1D video well in FCP on Mac.

The preparation you need to do is that to find a best MOV to FCP converter for mac.

Step by step for you to convert Canon EOS-1D C MOV to FCP compatible format.

Step 1. Load Canon EOS 6D mov files.

After install, open up the professinal Canon 6D MOV to Final Cut Pro Converter. Click "Add video" or "Add from folder" tag to browse and load source MOV files from your Canon 6D camera directly or from an archived folder saved on your HDD. You are allowed to add multiple files to convert at a time.

Tip: If you have multiple MOV files, you can select the "Merge into one" box to join your MOV files into one single file.



Step 2. Select output format for Final Cut Pro 6/7/X.

Click "Format" column to choose the "Final Cut Pro -> Apple ProRes 422 (*.mov)" Apple ProRes 422 MOV as best output format for editing in FCP 6/7/X.



Step 3. You can click settings button to adjust the output video and audio’s parameters, such as resolution, bitrate, codec and frame rate, etc.



Step 4. Edit function is useful and convenient for you to use. You can trim, crop, adjust effects or add watermark to the video. such as "how to trim and maintain a certain section of a Canon 6D MOV clip?"

Click "Edit", when the "Video Editor" interface appears, switch to "Trim" tab, on which you are allowed to trim your wanted section by setting Start and End time. When finished, click "OK" to confirm.



Step 5. Convert Canon EOS 6D MOV to ProRes 422 MOV for FCP 6/7 or FCP X.

Click "Convert" button to start convert Canon EOS 6D H.264 MOV videos to ProRes 422 MOV for working within Final Cut Pro (or FCP 6/7, FCP X). When the conversion is done, click "Open" button to get the generated ProRes 422 files for using in FCP 6/7/X.

After converting Canon EOS 6D MOV files, just according to the following tutorial import the output Apple PreRes 422 .mov files to Final Cut Pro (X), Final Cut Pro 7 or Final Cut Pro 6 for editing the video. Optimize your workflow and save time with the Apple ProRes compression for Final Cut Pro X. You can also import the output videos to Final Cut Express 4 (FCE 4) for editing in full HD.

Additional Contents

Pavtube HD Video Converter for Mac can also help you convert Canon EOS 6D MOV files to Mac Compatible Formats like ProRes 422(*.mov), Apple Intermediate Codec (AIC)(*.mov), Avid DNxHD, XDCAM MOV, HDV, DVCPRO, MOV(AVC), H.264 MOV for editing software FCP (X), iMovie, FCE, Avid Media Composer, Adobe Premiere Pro, Apple Aperture 3, Kendlive, etc or convert to other common formats such as MP4, WMV, MPG, MPEG, 3GP, AVI, and even H.264 MOV for other usages. Only need to change the "step 2″:

- choose "Avid DNxHD (*.mov)" for Avid Media Composer
- choose "Apple InterMediate Codec (AIC) (*.mov)" for iMovie or Final Cut Express
- choose "MOV (AVC) (*.mov)" for Adobe Premiere Pro

Good-fellowship clew: Here is a Free DVD Creator for Mac, it can help you free burn Canon 1D MOV video to DVD disc on Mac (include Mac Mountain Lion 10.8).

The last step you need to do is to imput the created file from Canon EOS-1D C MOV Converter to FCP.

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Olympus PEN E-P5 shot in the wild, Wi-Fi and 16-megapixel sensor rumoured

Olympus, is about to add another branch to your camera-buying decision tree judging by new images and specs that leaked out showing a new PEN E-P5 model. The classically shaped Micro Four Thirds flagship was shown in leaked photos along with specs pointing to a 16-megapixel sensor, WiFi, a 1.04 million dot tilt screen, 5-axis stabilization, 5fps burst shooting and a 1/8000 shutter speed -- if accurate. While an earlier from Olympus suggests it'll launch around May 11th in China, none of the tea-leaf readers have divined a price yet -- though a look at the company's last mirrorless flagship, the PEN E-P3 might give a clue. You can catch several more photos after the break.

Transcode/Import Nikon D4 MOV videos to iMovie for smoothly editing

Facing problems importing Nikon D4 MOV files into iMovie 11/09/08? Here you will find the fluid workflow for editing Nikon MOV footage with iMovie. 

Apple Intermediate Codec (AIC) would be the finest codec for iMovie editing, which truly can be a mov format. As we know, Nikon D4 record movies in MOV format, but these mov footage constantly in HD (1080p, 720p or 1080i ). And include diverse codec. These mov films can not be supported properly by iMovie. If you desire to edit Nikon D4 MOV recordings in iMovie, so as to get the top video good quality, you happen to be recommended to transcode MOV to AIC.AIC can be a video codec made to become an intermediate format in an HDV workflow.


There is a quick workaround for you to get iMovie ingest Nikon MOV files without any problems. By converting Nikon H.264 .mov to AIC encoded .mov files, the possible best quality will be retained in post-production workflow and you can then edit the resulting media files just as you would edit in QuickTime Movie format without rendering. The following guide tells you how to convert Nikon D4 MOV footage to AIC codec for use in your iMovie sequence.

Nikon h.264 MOV Converter is the best choice to help you transcode H.264 MOV to iMovie preferable AIC format fast. As a professional converter, Pavtube iMedia Converter for Mac is a recommendable Nikon H.264 MOV converter for iMovie to help you which is an all-in-one converter for dealing with your Blu-ray, DVD and Videos on Mac.

First free Download and install Pavtube iMedia Converter for Mac. This converter can help you transcode Nikon H.264 MOV video to iMovie, Final Cut Pro, FCE, etc.

1. Run this Nikon h.264 MOV to iMovie editor, import D4 h.264 MOV videos you want to transcode.

2. Click format bar to choose the format for output. For editing Nikon D4 H.264 MOV in iMovie on Mac, you can choose iMovie and Final Cut Express -> Apple InterMediate Codec (AIC)(*.mov), it's best for iMovie editing. If you want to customize it, you can click settings to use the parameters you want. And you can find the video editor button on the Column, it will help you on frame-by-frame trimming if you need.





3. Click "Converter" to start optimizing your D4 h.264 MOV to iMovie friendly format.

After a shot waiting, you can click "open" button to find the output files and import your D4 H.264 MOV into iMovie without optimizing process.

This Nikon h.264 MOV to iMovie converter can help you convert almost all the H.264 MOV videos from Nikon cameras. For instance, you can convert Nikon D3100 to iMovie, convert Nikon D7000 to iMoive, convert Nikon D300S/D90/D3200/D5100 to iMovie, etc. If you like, it will also help you convert Nikon H.264 Mov to FCP, AVID, Premiere format for editing. It's a compressive Nikon h.264 Video Converter.

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Frustration with iMovie and Canon G1X MOV transcoding

Canon PowerShot G1 X surprises the users with its ability to shoot spectacular 1080p full HD video with stereo sound that you can later watch on your HDTV or put to your computer to share with family and friends. In addition to be capable of shooting full HD 1080p video at 24 frames per second, the PowerShot G1 X digital camera can also shoot 720p HD video at 30 frames per second. The Full HD video, together with the professional level of images, makes the PowerShot G1 X the best choice for Canon lovers. The broght and compact camera seems the perfect one except the problem when you want to import Canon PowerShot G1 X 1080p MOV to iMovie on Mac for editing.


The reason that you can't edit G1X MOV videos in iMovie is canon G1X recorded videos are in MOV format, this format is not compatible well with iMovie and other editing software, iMovie best supported video format is Apple InterMediate Codec (AIC) MOV format, so if you want to edit G1X MOV video in iMovie smoothly, you’d better convert G1X MOV to AIC MOV for iMovie, you can follow the steps below to transcode G1X to iMovie AIC format, then you won't have any editing problems in iMovie.

1. Download Pavtube HD Video Converter for Mac, this Mac H.264 to AIC Codec Converter can help you convert G1X MOV to AIC codec for iMovie, more output formats are also supported, such as MKV/AVI/MP4/Apple ProRes, etc.

2. Run the professional Mac Canon MOV to iMovie Converter, import G1X MOV footages to this best AIC Converter for iMovie.

3. Click and choose the best output format, for editing G1X MOV in iMovie, you click and choose iMovie and Final Cut Express -> Apple InterMediate Codec(AIC) (*.mov), it's the best format for iMovie and Final Cut Express.



4. You can click settings button to customize output parameters as you want, such as codec, resolution, etc. it's good to keep the parameters as original.



5. Edit function is available to use in this G1X MOV iMovie Converter; you can trim, crop, add watermark or adjust effect to the Canon Powershot G1X MOV video.

6. Click "Convert" button to start, H.264 to AIC Converter will help you convert videos in a short time, and then you can import Canon G1X video to iMovie freely.

Pavtube HD Video Converter for Mac is an all-in-one bluray ripper for Mac, Mac DVD Ripper, and Video Converter for Mac. can convert 1080p cameras/camcorders footages to editable HD video formats for non-linear editing software like iMovie, Final Cut Express, Final Cut Pro, Final Cut Studio, Avid, Adobe Premiere etc. The HD footage can be compressed to SD video clips for storage when you wanna save storage space. The Mac iMedia Converter is also able to extract audios from Blu-ray discs, DVDs and videos for media players with high quality and fast conversion speed.

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Nikon D800E to FCP Importing Tips-Smoothly edit Nikon D800 h.264 videos in Final Cut Pro

The D800E is designed to stimulate cinematographers to explore different moods and perspectives by enabling Full HD and HD video recording in two frame formats; Nikon FX- and DX-based movie formats in just one camera. By using the B frame data compression method, you can record 1080p Full HD video at 30p in H.264/MPEG-4 AVC format with unmatched moving image integrity for up to 29 min. 59 seconds of recording in a single clip.

"Just shot some footage with the Nikon D800E, I haven’t shot or edited HD before now, so need some help setting up the project, understanding about transcoding, exporting etc. This is also my first time shooting with a DSLR camera. The footage itself looks great. Problem is editing a sequence in FCP. I've read different things online regarding importing the D800E directly into FCP. Do I need to transcode the D800E files using ProRes or something else? And if so, how?"

This question is asked by a Nikon user, if you have used nikon D800E camera recorded many 1080P footages, you may want to import Nikon D800E video to FCP X/6/7 for editing. If you have got the D800E and often use it to record 1080P video, you may have the need to edit D800E MOV in Final Cut Pro on Mac, but FCP X best supported video format is Apple ProRes 422 codec MOV format, so FCP X doesn't support Nikon D800E MOV footages well. The best method to solve this problem is to convert D800E MOV footage to ProRes for editing in Final Cut Pro X, you can follow the steps below to transcode D800E MOV to FCP X for editing.

1. Download Pavtube Mac Nikon h.264 MOV Converter. This professional HD Video Converter can help you convert D800E MOV files to ProRes 422 MOV format for Final Cut Pro, more output formats are also supported.

2. Install and launch this D800E MOV Converter. Import Nikon D800E footage to the converter.


3. Click format bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).


4. You can click "settings" to customize the output parameters, adjust the resolution, bitrate as you want.


5. Click convert button to start.

With this D800E MOV to Apple ProRes 422 converter, you can easily change D800E files to FCP X for editing, this software runs fast, so you can convert your D800E footages to FCP in less time.
Tips:

Before you try to do the conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

This Mac Nikon MOV Video Converter can alson convert videos to iMovie, Premiere Pro,FCE and Avid with good quality.

And you can get more info about how to import video to FCP (x) on pavtube website.

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