Monday, July 15, 2013

Smoothly playing AVCHD MTS files on Mac without slow motion problem

Follow the guide you can easily convert AVCHD mts files to QuickTime MOV for smoothly play AVCHD videos on Mac with A/V syncing. You won't get any issues when adding your AVCHD MTS files to Mac 
for playback.

  

Q: MTS playing in slow motion but sound is normal speed

Hi,
A friend took some mts video for me and gave me the SD card - I'm able to see it in several programs but it's always playing in slow motion though the sound is normal. How can I get it to play normal speed? Or covert it to normal speed? Thanks!


A: If you videos are from cameras or camcorders, it must be syncing well. So the problem may lies in the media player you choose. So at first check your computer specs, and make sure that it runs fast for work with the media player on your mac.

Then for playing mts files on mac, what is the best Mac MTS/M2TS player? You can try mplayer osx extended, or VLC to play it back. Quicktime cannot handle transport streams very well.
VLC media player is said to support AVCHD footage on Mac, and you can choose to play the files. However, there is also slow motion problem when playing .mts .m2ts files with VLC. The audio plays in normal speed, while the video time is double as what it should be. In other words, the sound is OK but the image lags behind. This might happen to computers with low configuration - CPU, video card. 

Many users do not have a powerful enough Apple computer with Intel Core i7, good graphic processors, and they may expect Apple QuickTime Player to natively support AVCHD videos, just like the WMP in Windows 7. So for smoothly playing AVCHD on Mac, they may need to convert AVCHD to QuickTime MOV on Mac.

It’s hard to find an excellent AVCHD Converter. Now, Pavtube HD Video Converter for Mac will help you convert AVCHD files to MOV for QuickTime with keeping the best quality of the original video to the output file. It's also a good software which can convert AVCHD videos to any common formats. The windows version is Pavtube HD Video Converetr for Windows.

You can follow the tips below to convert AVCHD video to QuickTime MOV format.

1. Download Pavtube MTS to QuickTime Converter, install and run, and then import the AVCHD files you want to convert.


2. Click Format bar and choose best output format for output. Click and choose common video -> MOV-QuickTime (*.mov). You can also choose other formats for output as you want.



3. You can click “settings” to adjust the output parameters, such as resolution and bitrate.



4. Edit function is very easy to use, you can trim, crop, add watermark or adjust effect before converting AVCHD videos to QuickTime MOV on Mac.

5. Click convert button to start converting AVCHD to QuickTime MOV file on Mac.

After conversion, you can use converted .mov files as you want. Now smoothly playing AVCHD file on Mac is without any problem.

Further Reading:

How to Burn/Write Sony PMW-400 XAVC footage to DVD on Mac

Summary: Here comes with some practical tips for buning or writing Sony PMW-400 XAVC Footages to DVD for playback

The new shoulder-mount camcorder PMW-400 is designed to acquire high quality, clean images especially in low-light environments. It is the latest addition to its XDCAM HD422 line-up. Sony PMW-400 supports multiple SD and HD codecs and XAVC ready and is an affordable 3x 2/3-inch CCD high quality sensor broadcast camcorder that, like the PMW-500, supports all SD / HD 422 broadcast workflows using .MXF and XDCAM EX workflows using .MP4 and .AVI. It is also future-proofedto support XAVC 10-bit HD422 recordings. 

XAVC enables a really wide variety of operational possibilities for content material production, notably: From Proxy to 4K pixel resolutions, intra frame and lengthy GOP schemes, and 1080 50P/60P infrastructure capability. 
  

So, is it an excellent thought to burn Sony PMW-400 XAVC to DVD for dwelling watching following shooting such an incredible good quality move ? Nevertheless, XAVC will not be however preferred extensively employed around the globe, and most devices cannot import it like DVD Player. How are you able to figure it out within this case? 

Fortunately, XAVC to DVD Maker- the best XAVC to DVD Burning Software is a nice program that could conveniently convert XAVC recordings to DVD with no issue. With it, you might be in a position to burn your breathtaking video clips to DVD. Just download and possess a attempt, it is actually entirely 100% clean! 

Step-by-step Guide - Burn XAVC video from PMW-400 to DVD for playback on TV 

1. Import Sony PMW-400 XAVC to this XAVC to DVD Burner on Mac. 

Load the footages from PMW-400 to this DVD Creator software. 
 

2. Edit XAVC Video. 

Pavtube DVD Creator for Mac enables you to crop, trim, rotate and adjust the effect of the videos. You can add watermarks to illustrate the scenes or give the video a designed music you like. 

 

3. Customize DVD menu and start convert to DVD. 

For a personalized DVD menu, you can change the menu buttons, thumbnails; add background music, custom background image, etc. to customize your DVD menu. Then you can preview your entire DVD movie project to ensure everything is perfect. If ok, pls insert a blank DVD disc into DVD drive, and switch to "Burn" tab. You can choose to burn NTSC or PAL, 5.1 channel is allowed, then click "burn" button to start converting Sony PMW-400 XAVC to DVD. 

 

As you can see, within few clicks, you can burn/write Sony PMW-400 XAVC file to DVDwith personalized DVD menus, eye-catching video effects and high quality. Just enjoy the movies on TV via players with your family. 

Related DVD burning guides: 
How to Burn World Cup Videos to DVDs for Free?
Put Blu-ray movies in Windows Media Center for playing

Thursday, July 11, 2013

Tricks for importing Canon Legria HF M306 AVCHD MTS files to FCP X


Summary: If you are facing the issue when importing and editing Canon Legria HF M306 AVCHD footage in Final Cut Pro X, here recommend you the best Mac Canon MTS to ProRes Converter to achieve your goal smoothly.

Canon Legria HF R306 camera, as an update of entry-level Legria camcorder range at CES 2012, is a Full HD compact camcorder, featured with a 1/4.85in CMOS sensor, 32x optical zoom, 51x intelligent zoom, a 3in colour touchscreen monitor and a whopping 8GB of internal storage space. That specification is already pretty good for a camcorder of this price, but Canon has gone even further by adding Wi-Fi connectivity, which means you can transfer recorded videos to your PC without a USB cable and stream videos to DLNA-enabled TVs and games consoles. All of this is recorded straight to memory card so you can quickly and easily share your movies with friends and family.

I have just got a Canon Legria HF M306 camera and I have taken it on my trip. After recording some footage HF M306, I wanna share this with others. To get better effect, just now I'm trying to get the AVCHD recording from it into Final Cut Pro X, but without much success, that is, I can get the Canon to show up on my desktop, but can't seem to get FCP X on my Mountain Lion to capture the video from the M306 camera using the USB Cable. 

AVCHD is highly compressed and not ideal for editing with Final Cut Pro X you can't natively import Canon HF R306 mts in FCP X. In order to smoothly edit Canon HF R306 AVCHD files in Final Cut Pro X without crashing problem and avoid rendering, you'd better transcode the Canon AVCHD to FCP native format, say, Apple ProRes Codec with some help from a third-party software. 

Required Software:

Pavtube's AVCHD MTS/M2TS Mac - a top Canon AVCHD Converter for Mac users.

The Mac Canon MTS to FCP Converter is an easy to use yet professional AVCHD Converter on Mac OS X which can not only transcode Canon Legria HF R306 AVCHD files to Apple ProRes codec videos for Mac editing, but also provide simple video editing functions for you. Besides, the program can also convert HD videos from HD camcorders or DVs (like JVC, Panasonic, Sony and Cannon) for editing in Final Cut Pro, Final Cut Pro X, Final Cut Express, iMovie, Avid, Adobe Premiere etc.

The following passage guides you how to convert Canon Legria HF R306 AVCHD footages to Apple ProRes 422 encoded MOV file for FCP X. If you have the same problem about editing Canon HF R306 MTS videos in Final Cut Pro X, check out the brief guide below.

Step 1. Import Canon HF R306 AVCHD videos to the top MTS to FCP Converter for Mac.


Step 2. Click the format bar, and move mouse cursor to "Final Cut Pro > Apple ProRes 422 (*.mov)" as output format.



Step 3. Click "Convert" button to start transcoding Canon Legria HF R306 AVCHD files to Apple ProRes Codec for Final Cut Pro X under Mac OS.

Some more helpful features of the app:

1. Settings- click to set video resolution(1920×1080/1440×1080/1280×720/720×480), bitrate(from 1Mbps to 20Mbps), frame rate (24p/30p)

2. Editor (next to "Add" icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

After a shot conversion, you will be able to load/transfer Canon Legria HF R306 AVCHD videos into Final Cut Pro X editing without rendering.

Tips: Before you try to do the conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.



Editor's Recommendations

Wednesday, July 10, 2013

Panasonic GH3 and G5 firmware update brings low light AF, silent shooting

If you've been spooking subjects or failing to focus on them with your Panasonic Lumix GH3 or G5, you might feel like you got a brand new camera today thanks to a firmware update. Its new features include low-light (-3EV) autofocus and a "silent mode" setting that'll turn off the electronic shutter, all sounds and the flash emission in one go, leaving subjects like deer or golfers undisturbed. You'll also get an exposure compensation shutoff reset option, better AF performance with certain lenses and a WiFi fix for Mac computers. You can grab it at the source, proving it's not only hackers that bring free goodies to pricey cameras.


Version 1.2 for the GH3 adds the 'Low light AF' previously seen on the G6 that works down to -3 EV, a 'silent mode' that turns off operational sounds and flash firing, and an 'Exposure Compensation Reset' function'. Meanwhile version 1.1 for the G5 only corrects wording of the Motion Picture menu on cameras sold in PAL broadcast regions (including Europe and Australasia), and therefore isn't required by US owners. Click below for full details and to download the firmware.

Click here to download the latest firmware for the Panasonic Lumix DMC-GH3 (Ver 1.2)

Click here to download the latest firmware for the Panasonic Lumix DMC-G5 (Ver 1.1)


Related gudie:

Tuesday, July 9, 2013

Sony PDW-F800 XDCAM HD422 MXF workflow in Avid Media Composer and Premiere Pro

Follow this article you will know how to solve Sony  PDW-F800 XDCAM HD422 MXF editing problems with Avid Media Composer and Premiere Pro on Mac. How to import the MXF files to Avid MC and Premiere Pro for editing has become the top point, here we could find the answers.

Sony has announced the new PDW-F800 XDCAM Camcorder, and you'll be able to get your hands on it at the Abel booth at NAB. This camera is basically a PDW-700 camera with some upgrades that many of our customers have been asking for. The list of new features that come standard with the camera include: 24p recording, variable frame rate recording (over-crank & under-crank), user gamma modes, dual-optical filters (ND and Color Correction), and SD recording modes. They have also added the ability to record proxy video data directly to a USB memory stick, so your editor can start working immediately with these files.



The PDW-F800 offers very high quality HD recording at a data rate of up to 50Mbps using the MPEG-2 4:2:2P@HL compression and the recorded video format is MXF. But for Mac users, using Sony PDW-F800 XDCAM HD 422 MXF is a big problem. The mxf files will not be handled perfectly in Mac editing software like Avid Media Composer and Premiere Pro due to the incompatible format and codec. Especially, some XDCAM HD422 MXF raw footage was shot in 50 fps, it can't be accepted by Avid MC and Premiere Pro.

So if you want to smoothly edit Sony PDW-F800 XDCAM HD422 MXF in Avid Media Composer and Premiere Pro, you first need to convert Sony PDW-F800 XDCAM HD422 MXF video to Avid and Premiere compatible mov format.

Hot Search: MXF to iMovie | Playback MXF on PC | MXF to MOV

First of all, we highly recommend the professional Sony XDCAM MXF Converter for you, which allows you to convert/transcode Sony PDW-F800 XDCAM HD422 MXF files to Avid/Premiere friendly format easily and quickly without any video and audio problemBelow, we give you the step-by-step guide. 

Convert Sony PDW-F800 XDCAM HD422 MXF to Avid Media Composer and Premiere Pro on Mac OS X 
Step 1: Add MXF video files. 

Download and run Pavtube HD Video Converter for Mac. Connect Sony PDW-F800 XDCAM camcorder to your Mac computer hard drive via USB cable. 

Click the button "Add Video" to add Sony 
PDW-F800 XDCAM HD422 MXF files, or directly drag and drop your Sony XDCAM HD MXF files. 


Step 2: Select an output format for Avid Media Composer and Premiere Pro. 

Click on the "Format" and get the dropdown menu, then move you pointer to Adobe Premiere/ Sony Vegas-> MOV(AVC)(*.mov) for output in Premiere Pro for editing.



And if you need to edit in Avid MC, choose Avid Media Composer -> Avid DNxHD (*.mov), this format is best for Avid native editing. 
 



Step 3: Click "Settings" icon to adjust audio and video parameters. 
Click the "Settings" icon and you will go into a new interface named "Profile Settings". You can adjust codec, bit rate, frame rate, sample rate and audio channel in the interface according to your needs and optimize the output file quality. 

Step 4: Start Converting. 

Click the "Convert" button; it will convert Sony PDW-F800 XDCAM HD422 MXF files to MOV for Avid Media Composer and Premiere Pro on Mac immediately. 

After the Sony XDCAM to MOV Conversion, you will be able to get the output files for Avid MC and Premiere Pro via clicking on "Open" button effortlessly.

Afterwards, you can import the converted Sony PDW-F800 XDCAM HD422 MXF videos to 
Avid Media Composer and Premiere Pro freely for further editing without any trouble. 

Mac Video Importing Tips

Premiere Importing: How to import video files or projects to Premiere Pro?

Editor's Recommendations

How to Import MP4 footage from Sony XDCAM EX into Final Cut Pro

If you are puzzeled with the problem that you can't edit your MP4 footage from Sony XCAM EX in Final Cut Pro, here recommend you the best Sony XDCAM EX Video Converter for Mac to solve this incompatible problem. So would you like to join us and add the MP4 movies to Sony XDCAM files to FCP for editing?

Sony XDCAM has four different product lines: XDCAM SD, XDCAM HD, XDCAM EX and XDCAM HD422 differ in kinds of encoder, contain type and in recording media.


Sony XDCAM EX series (like PMW-EX3, PMW-200, PMW-EX1, PMW 150) are one of the high-end professional Sony camcorders with outstanding video quality. The footages are wrapped in XDCAM codec MP4 format at data rate of up to 50 Mbps. However, due to the codec incompatibility issue, Sony XDCAM EX MP4 footages cannot work smoothly in Final Cut Pro, which makes the editing become harsh to some extend.

Hot Search: MXF to FCP X | P2 Files to FCP | XAVC to FCP

Don't worry, Pavtube HD Video Converter for Mac can give you easy but effective solution for importing XDCAM EX MP4 footages into FCP for editing. With the assistance of the Mac MXF Converter, you can effortlessly transcode MXF file to FCP acceptable formats like ProRes .mov. Then, what you need is just to import the converted file into FCP for editing. Just follow the steps below to transcode Sony XDCAM EX MP4 to ProRes for importing to Final Cut Pro editing.

[How-to]: Transocde Sony XDCAM EX MP4 recordings to FCP with highest quality

Preparation:
Connect your Sony XDCAM EX camcorder to Mac and backup the recorded .mp4 file on Mac.

1. Install and launch the Mac XDCAM EX Video Converter. This professional HD Video Converter can help you convert Sony XDCAM EX to ProRes 422 MOV format for Final Cut Pro, more output formats are also supported.


2. Click Format bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).


4.You can click "Settings" to customize the output parameters, adjust the resolution, bitrate as you want.



5.Start convert Sony XDCAM EX to ProRes for FCP editing on Mac.

Click the "Convert" button to start transcoding Sony XDCAN EX MP4 to Prores for Final Cut Pro immediately. 

When you get ready to convert the added MP4 videos on Mac, Click the "Convert" button to start conversion. The conversion processes will transcode MP4 to ProRes MOV videos to be compatible with FCP editing.

After the MP4 to Prores conversion finished, you can easily import video files and projects into Final Cut Pro for further editing without any trouble. Congratulations! You have successfully taken the first step to make your own masterpiece.

With this Sony XDCAM EX to ProRes Converter, you can easily change XDCAM EX files to FCP for editing, this software runs fast, so you can convert your XDCAM EX MP4 footages to FCP in less time, video and audio synchronization are perfectly guaranteed.

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Thursday, July 4, 2013

Mac Solution: Burn/Write/Make Canon EOS 1080p MOV into DVD

Summary: This article will show you how to successfully burn/write Canon EOS 1080p mov clips to DVD for playing with DVD player or backup on Mac OS X (Mountain Lion 10.8 included).


Canon EOS is very popular nowadays, common modes include Canon 5D Mark III, Canon T2i/T3i/T4i/T5i, Canon EOS M , Canon 60D, Canon EOS 6D, Canon EOS 70D etc, which recording H.264 MOV format. It is some meaningful occasions in life and burn the videos to DVD to share with their friends or relatives.

Most of us would choose Canon EOS 1080p as the recording mode, as it provides high quality videos. However, it is not so easy to burn Canon EOS MOV files into DVD for the 1080p H.264 codec. Fortunately Here a useful tool or software- Pavtube DVD Creator for Mac is recommended to you. With it, you don’t need to worry about the quality of the output and the conversion speed. The quality of the output DVD will be as good as the original video and the conversion speed will surprise you. With just a few clicks, you can get what you want.

This article will show you how to successfully burn/write Canon EOS 1080p MOV clips to DVD on Mac OS X (Mountain Lion 10.8 included). 

Cant wait to have a try? Below is how Canon MOV to DVD Burner works

1.
Free download this Mac Canon MOV to DVD burnner (50% off now). You can see the main interface. Connect your DVD Writer and insert a blank DVD.


2. Load your EOS 1080p video files into the DVD creator for Mac. Use the EOS camera as a Firewire device, connect your camera to your computer via a Firewire cable and transfer and copy the footage onto your computer or another external Firewire device using the PC/Dub mode.



a. Drag and drop source files to source area (details in Source Screen)
b. Select “add Files” from the drop-down list of Quick Start menu

Each file is recognized as a chapter after being imported to DVD Creator. Press on “Add title” button to add more titles. And you can do some arrangement for titles or chapters.

3. You can Edit movie clip and Customize your DVD menu
Pavtube DVD Creator for mac will enables you to edit your videos with trim, crop, watermark, effect settings, audio replacing settings features if necessary before burnning.

Tip: Swich to “Audio” Tab from Edit, and add audio to target video file so that you can replace the original audio track with favorite melody. Check the box of “Enable” and click “Browse” button and select the audio or video file you’d like to add. You may check “Loop” to make the audio repeat in order to fit the full length of the video.




This MOV-to-DVD Creator also allows you to design and create your own DVD menu or add background picture as well as music to make your DVD more personalized. To use a preset menu template and simply double-click on the template.

4. Preview Created DVD-Video. It’s great that you can preview the created DVD before burning to make sure everything is going well, and then you can choose to burn a DVD disc, a DVD folder, or a DVD ISO.

5. Start burning.

Click the “Burn” button to start burning Canon EOS 1080p H.264 MOV files to DVD on Mac – video to a writable DVD (or ISO image) that will plays on standard DVD player after burning. Now you have finished the burning process and get the created DVD for watching on your home DVD player or TV.



With this professional 50% off MOV to DVD Maker, you will find it pretty easy to convert Canon EOS MOV files to DVD for you to enjoy a quality time watching movies with your family at home. Never miss!

P.S.

1. This DVD Burner is free for burning various videos like MKV, AVI, MP4, WMV, MOV, TiVo, F4V etc into DVD. To know more, please switch to the online guide about Mac DVD Creator on-line help for beginners at Pavtube website and learn how to make an iso image into DVD and write DVD-Video file structure/VIDEO_TS folder to DVD.

2. Learn how to burn Sony Handycam AVCHD MTS file to DVD, write Sony XAVC footage to DVD and convert Panasonic P2 MXF for DVD burning.

Wednesday, July 3, 2013

Canon EOS 70D Hands-On, Review, Main features, and More Info

Changing the way users capture still images and video with a DSLR camera, Canon proudly introduces the EOS 70D.


At the core of the 70D's modifications is what Canon's calling Dual Pixel CMOS AF. Essentially, the sensor includes twice the number of pixels in an (very successful) attempt to improve focusing. There are 40.3 million photodiodes on the sensor, and when they're all working together, "it's like 20 million people tracking the focus with both eyes," as Canon explains. The result is camcorder-like focusing for both stills and video, when you're shooting in live view mode. During our test with a pre-production sample, the device performed phenomenally, adjusting focus instantaneously when snapping stills, and quickly but gradually when recording video.

Reviewing- Canon EOS 70D main features:


  • 20.2 Megapixel CMOS (APS-C) sensor, 14-bit A/D conversion, ISO 100-12800 (expandable to H: 25600) for shooting from bright to dim light and high performance DIGIC 5+ Image Processor for exceptional image quality and processing speed. 
  • EOS Full HD Movie mode with Movie Servo AF for improved continuous focus tracking of moving subjects, manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 30p (29.97) / 25p), built-in stereo microphone, manual audio level adjustment with attenuator function to reduce audio clipping, and Video Snapshot with editing for expanded movie shooting options. 
  • Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation and Touch AF for an easy and intuitive experience, flexible positioning, and clear viewing even when outdoors in sunlight.
  • Built-in wireless technology allows you to wirelessly transfer your images to social networking sites through CANON iMAGE GATEWAY, share your images with wireless-enabled Canon cameras, or upload virtually anywhere on your iOS® or Android(TM) smartphone* with the free download of the EOS Remote app.
  • Canon's innovative Dual Pixel CMOS AF enables you to shoot video like a camcorder with smooth, fast, and accurate autofocus; lets you enjoy instant and precise autofocus even when shooting stills from a variety of angles with the freedom provided by the Vari-angle LCD. 19-point all cross-type AF system (including a high-precision f/2.8 dual cross-type AF center point) with a wide area arrayfor exceptional autofocus performance and greater compositional freedom when shooting with the viewfinder. Intelligent Viewfinder with superimposed LCD display provides approximately 98% field of view, and Multi-Aspect ratio in Live View broadens your choices in composition. 

The 60D will be discontinued, but the 7D will remain on the market -- for a while longer, at least. Still, if you're looking for a DSLR primarily for shooting video, the 70D is where it's at.

Canon related guide:




Tuesday, July 2, 2013

XDCAM MXF to MOV- Edit Sony PDW-510 XDCAM MXF in iMovie 8/9/11 with High Quality

Summary:In this post, you can learn the best way and tools for importing and editing Sony PDW-510 XDCAM MXF in iMovie 8/9/11.

Sony PDW-510 is one of Sony XDCAM series, the high-end professional camcorders which can capture excellent image quality. It has been designed with special consideration for heavy-duty field acquisition, using DVCAM compression recording to 25Mbps at MXF format.

But when you want to edit the videos they record, you may find the high quality MXF files are not recognized by most editing software like iMovie (including the version 8',9',11'), as iMovie 8/9/11 cannot support the original MXF footages from  PDW-510. It is a common sense that the most compatible format for iMovie 8/9/11 is Apple Intermediate Codec(AIC)(*.mov).

So the first problem you have to solve is to transcode Sony 
PDW-510 MXF to AIC the most compatible codec which is specially designed for editing in iMovie 8/9/11. Here we recommend you to choose a top MXF to AIC Converter for mac to transfer these recordings for iMovie 8/9/11 editing.

Steps for Convert Sony  PDW-510 XDCAM MXF clips to AIC for editing in iMovie 8/9/11.

Step 1: Install the top Sony XDCAM MXF Converter for Mac on your Mac OS X, and run it to import your Sony   PDW-510 XDCAM MXF footages to it.


Tip: If you want to combine the files together, please tick the box "Merge into one" on the main interface.

Step 2: Click the Format box and select best output format on the dropdown list. You are advised to choose Apple Intermediate Codec(AIC)(*.mov) as the export.



Step 3: Click the “Settings” icon on the main interface and you’d better set the video size as 1920*1080, video frame rate as 30fps(or 25fps PAL) for importing Sony PDW-510 MXF to iMovie 8/9/11 with the best quality.



Step 4: Click the Arrow button on main interface to start converting Sony PDW-510 XDCAM MXF clips to AIC video immediately.

After the Sony  MXF to AIC converter finished transcoding, you can run the iMovie 8/9/11 to import the converted files and edit them in it without any rendering or incompatibility problem.

Editor's Recommendations

Sony XDCAM workflow- Getting XDCAM HD 422 MXF files into Final Cut Pro

Follow the article below you will know before Import Sony XDCAM HD 422 MXF to Final Cut Pro 6/7 and FCP X for editing on Mac, you need to convert Sony XDCAM MXF footage to FCP native ProRes MOV format with the best Sony XDCAM MXF Converter.

Q1: "I have recorded many 1080p footages from Sony XDCAM camcorder, which I borrowed from my friends. I haven't shot or edited HD before now, so need some help setting up the project. when I import Sony XDCAM MXF files to final cut pro 7, it says that the files are not supported, I searched the forum and many people say the MXF footage need to be converted to prores codec, can you give me some suggestions and what software I need to use?".
 
Q2: " MXF 1080i50 XDCAM HD 422 Long GOP 50 in Operational Patern 1a.The footage was recorded from a Canon C100 into a Ninja Atomos 2 (ProRes 422). I was not yet able to find the required export setting in FCP X. And my question is the required export possible from FCPX ?" 

Sony XDCAM camcorder is professional camcorder which is great for us to take high quality full HD videos, now popular models include PMWEX3, PMWEX1R, PMW200, PMW100, PDWF800, etc.


However, you may also face the problem as above that FCP 6/7 or FCP X does not recognize the .mxf videos. To make it easier for editing Sony XDCAM HD 422  MXF videos on FCP 6/7/X, you can use Sony XDCAM MXF Converter for Mac. It can not only convert Sony  XDCAM HD 422 .mxf videos to FCP 6/7/X, but also make iteasy for merge videos.

Here is the step-by-step guide for you to convert and transcode Sony XDCAM HD 422  MXF  MXF files to Apple ProRes 422 MOV for editing in Final Cut Pro 6 /Final Cut Pro 7/Final Cut Pro X on Mac with no rendering.

1.Download Pavtube iMedia Converter for Mac. This professional MXF Converter can help you convert Sony XDCAM HD 422 MXF files to ProRes 422 MOV format for Final Cut Pro, more output formats are also supported.

2.Install and launch this Sony XDCAM MXF to FCP Converter. Import Sony XDCAM HD 422 MXF footages to the converter.


3.Click "Format" bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).

convert-format-to-prores-422


4.You can click "Settings" to customize the output parameters, adjust the resolution, bitrate as you want.

5.Start convert Sony XDCAM HD 422 MXF footages to FCP (X) editing.

When you get ready to convert the added mxf videos on Mac, Click the "Convert" button to start conversion. The conversion processes will transcode Sony XDCAM HD 422 MXF to ProRes MOV videos to be compatible with FCP editing.

After conversion, you can import video files and projects into Final Cut Pro X without any trouble. Congratulations! You have successfully taken the first step to make your own masterpiece.

With this Sony XDCAM MXF to ProRes Converter, you can easily change XDCAM HD 422 MXF files to FCP X for editing, this software runs fast, so you can convert your XDCAM footages to FCP in less time, video and audio synchronization are perfectly guaranteed. You can also find more tips and tricks on FCP in Pavtube FCP column and MXF column.

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Sunday, June 30, 2013

The Way for Editing Canon PowerShot S110 MOV footage in FCP 6/7/X on Mac

Summary: Follow the guide below you will get the easy way to transcode Canon PowerShot S110 MOV to FCP 6/7/X for editing with ProRes codec. 

Canon PowerShot S110:Top-quality stills and video, plus a hatful of features – our new favourite compact camera.

S110 offers a maximum ISO of 12800 at full resolution, built-in wi-fi connectivity, GPS functionality via pairing with a smartphone, 1080p movie recording at 24fps, full range of manual shooting modes, RAW format support and 10fps burst shooting.

If you have got the  S110 and often use it to record 1080P video, you may have the need to edit Canon PowerShot S100 MOV in Final Cut Pro 6/7/X on Mac. The FCP 6/7/X best supported video format is Apple ProRes 422 codec MOV format, so FCP doesn't support Canon PowerShot S110 mov footages well, you may encountered many problems, like import it slowly, and couldn't edit videos smoothly.

The best method to solve these problems is to convert S110 MOV footage to ProRes for editing in Final Cut Pro 6/7/X, you can follow the steps below to transcode Canon PowerShot S110 MOV to FCP 6/7/X for editing.

1. Download Pavtube HD Video Converter for Mac. This professional Mac HD Video Converter can help you convert Canon PowerShot S110 H.264 mov files to ProRes 422 MOV format for Final Cut Pro 6/7/X, more output formats are also supported.



2. Install and launch this Canon MOV Converter for FCP. Import Canon PowerShot S110 .mov footage to the converter.
canon mov converter for mac Frustration with FCP X and Canon PowerShot N MOV transcoding

3. Click format bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).



4. You can click "settings" to customize the output parameters, adjust the resolution, bitrate as you want.



5. Click "Convert" button to start.

Once you have finished the conversion, you can import Canon PowerShot S110 1080p mov video files to Final Cut Pro 6/7/X for editing easily.

P.S. 

This Canon MOV to Prores Converter also highlight with 
importing Canon S110 1080p mov to iMoviejust enjoy yourself. 

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Tuesday, June 25, 2013

Using LUT’s on set and with Resolve with the PMW-F55/F5/F3 and FS700


Sony recently released a set of 4 cube LUT’s (Look Up Tables) for use with SLog2. You can download those LUT’s here: DaVinciResolve CubeFiles. In addition there are many other LUT’s that you can use with SLog2 to help create different looks. In this article I’m going to look at how you can use these both on set and in DaVinci Resolve. Currently on set you cannot upload LUT’s to the F55/F5 or FS700, so if you want to use the LUT’s to alter your monitor output you need to use some additional hardware. One of the most affordable solutions is the Black Magic Design HDLink Pro. This box has HDSDI inputs and outputs as well as other output options including DisplayPort to which you can connect either a DVI or HDMI monitor with the appropriate adapter. 

 


By placing the HDLink between the cameras HDSDI out and your monitor you can apply a LUT by connecting a computer to the HDLink via USB and using the HDLink software utility to import the LUT to the Black Magic box. If you don’t have a LUT you can use the HDLink software to adjust many parameters of the picture to create your desired look live on set. There is one limitation however, without a LUT, you cannot adjust the overall saturation of the image, so when shooting with SLog2 and SGamut the pictures will not have the full saturation (colour) of your final graded output. 

To compensate for this you can always turn up the saturation on the monitor, just remember to restore the saturation control back to normal before you put the monitor away at the end of the shoot! When using a 3D LUT like the cube LUT’s linked above you do get a full correction including saturation. The computer (which can of course be a laptop) does not need to remain connected to the HDLink. Once you have uploaded the LUT to the box and are happy with your look you can disconnect the computer. The HDLink will remember the LUT and settings until you power it down, so whenever you use it, it’s always a good idea to plug a computer back in from time to time to check how it is set. 

If the plan is to use the same LUT both on set and in the grade then you must set up the camera to output correctly. Most LUT’s are designed for use with Log recording, so this means that in the majority of cases the camera will need to be set to output SLog2 (Slog with the PMW-F3). If you are shooting raw using the Sony AXS-R5 recorder then you can take the AUX out from the R5 and use that to feed the HDLink box. This output is a real-time de-bayer of the raw recording with SLog2 applied. By using this output you can still use the F5 and F55′s built in LUT’s if you needed as the built in LUT’s are not applied to the R5′s AUX output. If you do use EI Gain then this will have an impact on your LUT as the recordings (and AUX output) will most likely be exposed brighter, but the result should be similar for both the on-set view via the HDLink and in post production. For FS700 users shooting raw with the R5 the additional AUX output is the only way to feed HDSDI to the HDLink as the cameras HDSDI is used to feed the raw data to the R5. 

After the shoot, to use the LUT in DaVinci Resolve, first you must place the LUT or LUT’s, in the correct library folder before opening Resolve. The LUT’s must be saved in the .CUBE format to the Cinespace folder or a new sub directory in: 

Mac: 
System Drive/Library/Application Support/Black Magic Design/DaVinci Resolve/LUT/ 

PC: 
On a PC the folder may be hidden, if so go to windows explorer and select “organize” then ”view” and click “show hidden folders”. 

Once you have installed your LUT’s you can then open Resolve and import your SLog2 footage. If you are shooting raw with the AXS-R5 then you need to open the project settings and ensure that the raw files are being correctly displayed using SLog2 and SGamut. I do this by going to the “camera raw” page and set “Decode Using” to “Project” and then change the Gamut to “SGamut” and gamma to “SLog2″. This ensures all Sony raw clips will be treated as SLog2 even if you did use an internal camera LUT.  

Next select the clip or clips that you wish to apply the LUT to and right click on the clip and select “3D LUT” and go to the “Cinespace” folder or the folder you created. There you should see your LUT’s listed. Simply choose the LUT you wish to use. You may need to add some gain or lift adjustment to tweak your images, but they should look as they did via the HDLink box. 
 

You can also use Resolve to create a .cube LUT for use on set. Simply shoot some test Slog2 clips and grade them as you wish the final image to look. Then once your happy with your look, right click on the clip and “Export LUT”. Resolve will then create a .cube LUT that you can use with the HDLink. 

Although this is really aimed at those shooting using log, this process will work with almost any camera and any gamma curve. The key thing to remember is to always use the same camera settings with LUT’s tailored to those particular settings. So for example you could use this with a PMW-200 using a Hypergamma or a Canon C300 using C-log or a DSLR. Provided the LUT was created to work with the way the camera is set up, it should work correctly. Just don’t expect a LUT designed for Log to work with a non Log camera. 

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Monday, June 24, 2013

Convert AVCHD MTS/M2TS/TS to Avid, Premiere, Sony Vegas, Pinnacle Studio, Movie Maker and Cyberlink

Facing the problem importing MTS/M2TS/TS files in Avid, Premiere, Sony Vegas, Pinnacle Studio, Movie Maker and Cyberlink, you can fix the issues via transcoding AVCHD to Windows Editor compatible format.

  • AVCHD? What is it? Where is the format from?




AVCHD-
Advanced Video Coding High Definition is the new high definition video format for HD camcorder recording and playback (often with the file extension of mts, m2ts or mt2, ts). which is usually recording by professional digital Sony, Panasonic, Canon and more camcorders and cameras.
 

  •  AVCHD Importing on Win? Is that so easy?

If you have a HD camera or camcorder device, you have great chance to deal with AVCHD .mts/.m2ts/.ts Video. After you shot many enough videos, then you definitely want to edit these AVCHD file. However, it is not so easy to import/edit AVCHD MTS recordings on Win, as AVCHD is a highly compressed format just fit for viewing but not for editing, it can’t suported well by  many editing software like  Avid Media Composer , Adobe Premiere, Sony VegasPinnacle Studio, Windows Movie Maker and CyberLink PowerDirector.

Users' AVCHD MTS/M2TS/TS clips to MOV conversion need: 

Case 1: Hello, I have a Sony HDR-CX150 Camcorder which records H.264 MTS files. I need a tool which is able to convert MTS files into a file format I can use/manipulate on Adobe Premiere to make family movies on my PC computer? Thanks.

Case 2: I'm new to Avid. I am using Avid media composer 5.0. Can anyone help me with importing .mts files? I am using Panasonic HDC-TM700 to shoot the mts in AVCHD folder. When I import the MTS files into the project bin, it will take hours to import a 600MB file. Sometime it will just give me an error message to say that shot of storage. What should I do to speed the importing process?

Case 3: Hello,I'm running windows 7 and using Pinnacle Studio 15 for editing. The camera I shoot with is the Panasonic LX5. What format would you recommend I transcode to for Pinnacle Studio editing?

Case 4: Yesterday I got my new My Canon Vixia HF S200. I have tried shooting in AVCHD format. And I would like to transcode these mts files into something that Windows Movie Maker can manipulate. Is there anyone recommend one way to make the importing and editing more efficiently or suggest the best and fast workaround? I appreciated any help.

  • Convert AVCHD MTS recordings? What software to choose?

To edit or import AVCHD/MTS/M2TS/TS files in Avid, Premiere, Sony Vegas, Pinnacle Studio, Windows Movie Maker and Cyberlink smoothly, you will need to convert AVCHD MTS/M2TS/TS videos to best compatible format for Windows PC. By the way, “the AVCHD video software is not always as willing as AVCHD camcorder hardware”, so that decent AVCHD Converter software is necessary to be prepared at hand.

Pavtube MTS/M2TS Converter  is mainly used to effortlessly encode/re-encode AVCHD MTS/M2TS/TS video files from  Sony (3D), Panasonic (3D) and few Canon Cameras to for smoothly importing andediting in various Windows non-linear editing systems (NLE), including Avid, Premiere, Sony Vegas, Pinnacle Studio, Windows Movie Maker and Cyberlink. If youre using a Mac, please turn to its equivalent Mac version– iMedia Converter Mac, which can help you solve the AVCHD and Mac incompatibility.



  • Edit AVCHD Recordings on Windows PC? How to make it?

Step 1: Free download the best AVCHD to Windows PC Converter and run it to add the AVCHD MTS/M2TS/TS footages.


Step 2: Hit the Format box and select “HD Video” option on the dropdown menu and you can choose “AVI/WMV/MPEG-2” as output format for editing with Premiere, Sony Vegas, Pinnacle Studio, Windows Movie Maker, Cyberlink.



Besides, you can choose “Avid DNxHD 720p (*.mov)“ or "Avid DNxHD 1080p (*.mov) " for Avid MC editing.

Step 3: Adjust video and audio parameters, including the Bitrate of Video and Audio, the Codec of Video and Audio, Video Size, Sample Rate, Frame Rate, Audio Channels, etc., by clicking the “Settings” button on the main interface for getting the best quality.

Step 4: Click the “Convert” button on the main interface to start transcoding AVCHD footages to AVI/WMV/MPEG-2/MOV for editing inAvid, Premiere, Sony Vegas, Pinnacle Studio, Windows Movie Maker, Cyberlink.

When the conversion is completed, click “Open” in the main interface and get the converted files for importing and further editing.

Now transferring and editing AVCHD/MTS/M2TS/TS video files in Avid, Premiere, Sony Vegas, Pinnacle Studio, Windows Movie Maker, Cyberlink is smooth and without any problem.

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