Convert Canon MXF to Final Cut Pro X keeping multi audio channels

Description: Here we will offers you an easy and step-by-step workflow to convert and mix Canon multi audio channels MXF to Apple ProRes for FCP X editing.

Question: "Hi, I filmed using Canon xf305 camera using 2 clip mics and want to edit in Final Cut Pro X. I’ve tried several programs but always loss some of the audio channels. Pls I need to edit both the original two channels in FCP X. How can I solve this?"

Answer: I also ran into this problem when editing my friend’s wedding video. From Apple official website I know that apple prores codec is best for FCP editing on Mac. So before importing Canon MXF clips to FCP 6/7/X, I tried to convert Canon MXF to Final Cut Pro X compatible format ProRes 422 .mov.

Did a lot search and tried some editing applications but not very satisfied for the transcode speed, quality or audio tracks saving.  Recently found a program on mac named iMixMXF from Pavtube and it work well in converting Canon multi audio channels MXF to Final Cut Pro X till now. It is the best Mac multi-track MXF Converter and MXF Mixer.

Follow this step-by-step guide; you can easily accomplish the task within a few clicks.

Step 1. Get this Mac multi-track MXF Converter installed, click "Add video" to load individual mxf videos; or click "Add from folder" to load the entire folder. It will recognize all the audio channels.



Step 2. Click "Format" and choose Multi-track Video>Multi-track Apple ProRes 422(*.mov)

 

Step 3. Click "Settings" to customize your video size, bitrate, frame rate and other specs; and check video channels that you want to convert.

Follow the bottom left icon to let the selected audio tracks "mix into one channel"; or that it will keep all the audio tracks apart.



For non-multi-track converting, it's also supported to add .srt/.ass soft subtitles as you like; click Edit and switch to "Subtitles" tab, and click Browse to locate your prepared subtitles.

Step 4. Click "Convert" to start converting multi-audio channels Canon MXF to multi-track Apple ProRes for FCP X.

Tips: In Pavtube converted video, we can see both the audio tracks saved separately as original, and we will also find the timecode is kept for FCP X.

 

Pavtube iMixMXF($45) is a powerful MXF Converter for Mac program will all audio tracks preserved in MKV, MP4, MOV for playing and Apple ProRes for FCP editing.

If you prefer to work with single audio channel and do not need to multi-track integration feature, you are suggested to try Pavtube MXF Converter for Mac (only $29).

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Best method to change video format from mts to swf

Have the need to convert MTS to SWF? Now get the most efficient software- Pavtube iMedia Converter for Mac to accomplish this task with lightening speed and exceptional output quality.

Now I have stored a lot of MTS videos in hand from some HD Camcorders. What I would like to do is to share my happy moment with more and more people over the Internet. So how to get these mts shootings more compatible for uploading?
As we konw, to play, upload and share the mts videos over and over again is somehow very trouble. You may find many videos with SWF format on the websites like YouTube. SWF is an Adobe flash file format used for multimedia, and it has become the dominant for displaying "animated" vector graphics on the Web. So, as an alternative, you can try to change video from mts to swf so that you can easily sharing your mts files on the web.

As for the problem of how to convert mts to swf, there are quite a few ways to do it. But the easiest and quickest way is to use Pavtube MTS to SWF Converter for Windows and MTS to SWF Converter for Mac which owns powerful converting functions and flexible editing functions.

With this software, you can deal with the mts format including converting mts to other popular video format like mts to mov, mts to wmv, swf to vob, swf to mp4, in which way, you are enabled to convert MTS to SWF with no limitation.

As for the flexible editing functions, like cutting off the unnecessary part, adding watermarks including text, image and video, adding 3D effect, and so on. And attaching subtitles to output video can be achieved here. You can add subtitles to your favorite movies which have no subtitles or add subtitles of native language to the foreign movies in order to fully enjoy the movies. Such a great job!

The following is the detailed information on how to convert MTS to SWF on Mac with the help of Pavtube MTS to SWF Converter for Mac, the windows workflow is as the same. At first, please download the program here and install it on your Mac.

Step 1: Import MTS footage.

Run the Pavtube HD Video Converter for Mac, click "Add video" to load mts recording videos to the program, or also support to drag and drop mts files to the program.

Step 2: Choose SWF format.

Go to choose the proper format what you need. Click "Format" to choose "Flash Video > SWF-SWF Format (*.swf)" or other popular format you want.



Step 3. Attach subtitles to a video/movie.

Find "Edit" icon and then click it, you will find video editor. There you can Trim, Crop, Add watermark and Effect. Above all, Subtitle can be added here.

Step 4. Customize the output format

Click "Settings" to customize the video and audio settings. For video settings, you can adjust Encoder, Frame Rate, Resolution, Aspect Ratio and Video Bitrate. For audio settings, you can adjust Encoder, Sample Rate, Channels and Audio Bitrate to meet your needs.



Step 5. Start MTS videos to SWF Mac Conversion.

Click "Convert" button to start conversion. The conversion from mts to swf which will be done in amazing fast speed, which costs you a few minutes thanks to its advanced feature and easy-to-use interface.

After conversion, go to find the converted .swf files with subtitles by clicking "Open" button. In this way, you will change video format from mts to swf with ease and successfully solve the mts video sharing problems.

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Convert .mts files from Sony NEX-7 to work with iMovie on Mac

Summary: Follow this article you will know how to convert and import Sony NEX-7 AVCHD MTS to iMovie compatible format with the best MTS to iMovie Converter on Mac.

In the middle ground between DSLRs and point-and-shoot lies a vast plain filled with all manner of tweener cameras, in all variants of shape, size, price, and quality. Until now, no one has nailed the whole package, but so far the smartest middle ground — smaller body and price, but without losing too much quality or manual control — has been Sony's NEX line.

The NEX-5N and NEX-C3 are excellent cameras, with big sensors in small bodies, but the NEX-7 is the flagship member of the line. The $1,349 shooter has a DSLR-sized, 24.3-megapixel APS-C sensor, a built-in electronic viewfinder, a tilting LCD, 1080p video recording, and a solid set of manual controls. It's built to run with the big dogs, and priced like it too — can it keep up? And could you actually buy the NEX-7 instead of a DSLR?

For many experienced Mac users, what they are concerned most is how does the Sony NEX-7 mts files work with Mac. As for NEX-7, you will get all kinds of options when shooting video: it can record in 1080p and 1080i at 60 frames per second, or 1080p at 24fps. You can shoot in AVCHD or MP4, though MP4 video is an odd 1440 x 1080 resolution. You can also shoot video in a variety of different manual modes, meaning you can change shutter speed, aperture, and the like both before and during video recording.

• Read how to Edit and Play Sony NEX-7 AVCHD files on Mac  

But AVCHD format is not well supported by iMovie, Final Cut and other software on Mac, you may encounter many problems when you try to import and edit them in FCE, iMovie and FCP. If you want to import and edit Sony NEX-7 MTS in iMovie, you need to convert Sony MTS to iMovie best supported video format, like Apple InterMediate Codec(AIC) MOV format, you can follow the steps below and learn how to convert Sony NEX-7 MTS videos to AIC codec for iMovie editing smoothly.

1. Free Download Pavtube MTS/M2TS Converter for Mac. This software can convert Sony AVCHD MTS video to iMovie compatible formats or other common formats.



2. Install and run this MTS to iMovie Converter. Click "Add Video" to load the .mts files from Sony NEX-7 to the Mac Converter.



3. Click format column to choose the output format for iMovie. Click and choose "iMovie and Final Cut Express -> Apple InterMediate Codec (AIC) (*.mov)", it's the best format for iMovie - to import Sony NEX-7 MTS to iMovie.



4. You can click "settings" button to adjust output parameters, such as resolution and bitrate. 

Tips: To get 1080p full hd video qualtiy, you can click to set video resolution to1920×1080.




5. Click convert button to start.

The Mac MTS to AIC Converter will convert Sony MTS footage for iMovie quickly. It can also help you to convert Sony Alpha NEX-7 mts for importing into FCP. After conversion, you can successfully work with Sony NEX-7 MTS video in iMovie as you want.

Learn More:

• Convert Sony HDR-XR260VE mts to Avid
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Canon intros PowerShot G16, S120, SX170 IS, SX510 HS point-and-shoot cameras

Canon's got a handful of incremental updates to detail, including a selection of PowerShot point-and-shoots. Now it announced the release of four new PowerShot cameras: the PowerShot G16, PowerShot S120, PowerShot SX510 HS and PowerShot SX170 IS.

Overall, The G16 is the priciest of the bunch, ringing in at $550. This model, which is set to ship in October, replaces last year's G15, and includes a 12.1-megapixel CMOS sensor, DIGIC 6 processor, 5x 28-140mm f/1.8-2.8 optical zoom lens and 1080/60p video capture. Next up is the S120, retailing for $450, also in October. This pocketable S110 replacement includes a 12.1-megapixel CMOS sensor, DIGIC 6 processor, 5x 24-120mm f/1.8-5.7 optical zoom lens and 1080/60p video capture. The SX510 HS is the cheapest of this premium bunch, with a $250 MSRP. This superzoom, expected in September, packs a 12.1-megapixel CMOS sensor, DIGIC 4 processor, a 30x 24-720mm f/3.4-5.8 optical zoom lens and 1080p video.

These cameras feature advanced DIGIC imaging technology and the ability to achieve faster autofocusing speeds than previous PowerShots. The G16 and S120 also feature the new Star mode to capture the brilliance of a starry night sky, while the new Background Defocus mode allows users to soften the background of their images.

For the connected photographer, the PowerShot G16, S120 and SX510 HS digital cameras come with built-in WiFi that allows for outstanding quality images and video files to be wirelessly transferred from the camera to social networking sites through CANON iMAGE GATEWAY, to a PC, or on their compatible iOS or Android device through the free Canon CameraWindow app. All initial setup can be accomplished from a smart device or computer, allowing for easy photo sharing on-the-go.

The PowerShot G16 is the first PowerShot in the G-series that comes equipped with built-in WiFi, the G16 has the ability to share images and video to Facebook, Twitter, YouTube, Flickr and email. The PowerShot G16 features a 28-140mm wide-angle lens with an aperture range of f/1.8 – f/2.8. The G16 is equipped with Canon’s HS System, which combines a DIGIC 6 image processor and a 12.1-megapixel High-Sensitivity CMOS image sensor for enhanced image quality. The PowerShot G16 also features improved AF times and reduced shooting lag over previous G-series models. The G16 has continuous shooting speeds of 9.3 frames-per-second. The G16 also captures 1080p Full HD video, and includes built-in stereo microphone and HDMI output.

In addition, the camera’s creative handheld HDR Scene mode automatically combines multiple shots of a scene to help create an image with a greater dynamic range without the necessity for a tripod. The G16 also features dials and controls similar to those on Canon’s EOS DSLRs. It’s also compatible with Canon Speedlite flashes and other accessories.

The PowerShot G16 is scheduled to be available in October for $549.99.

The PowerShot S120 features a 24-120mm extra-wide angle lens with an aperture range of f/1.8-f/5.7. It’s equipped with Canon’s HS System and allows for continuous capture of up to 12.1 frames per second at 12.1-megapixels. The S120 also records 1080p Full HD video and includes built-in stereo microphone and HDMI outputs.

The PowerShot S120 is scheduled to be available in October for $449.99.



The PowerShot SX510 HS camera has a 30X optical zoom 24mm wide-angle lens, intelligent IS technology, a 12.1 megapixel CMos sensor and Canon DIGIC 4 Image Processor. The SX510 also records 1080p Full HD video and built-in WiFi. The camera’s Zoom Framing Assist automatically maintains the correct distance from a subject using face recognition.

The PowerShot SX510 HS is scheduled to be available in September for $249.99.



The PowerShot SX170 has 16x optical zoom with a 28mm wide-angle lens and Optical Image Stabilization. The SX170S also features high-speed AF, an intelligent IS system, a DIGIC 4 Image Processor and a 16-megapixel sensor and 720p video. The PowerShot SX170 IS also has a 3-inch LCD screen and an ergonomic bod.

The PowerShot SX170 IS is scheduled to be available in September for $179.99.

Related news:

Nikon's Coolpix L620 14x superzoom ships next month
Canon Powershot N is a Facebook Ready Digital Camera

Source: Canon

Encode/Render Canon T3i .mov files to Prores 422 for Final Cut Pro 7

Q1: Ok I'm really interested in buying the Canon T3i beacuse it has great video quality and its fairly cheap....I'm a newbie to FCP and shoot videos with a Canon Rebel T3i. Obviously, I can copy the .mov files from the SD card to my Mac and edit in Final Cut Pro 7, but it's a bear (slow rendering time and whatnot) and I'm never impressed with the video quality output once I'm done rendering. The files are 1280x720 format, 60 fps. How to import without rending? Any compressor to convert my files to a more FCP-friendly file?

Q2: Canon T3i is perfect and I'd rent one for a wedding, and I am stuck with working with Final Cut Pro 7. Cause as it stands now any time i go to Log and Transfer and try to import files i get messages like FCP doesn't recognize format or something like that. What I'm wondering is their a program out there that can convert the video files of a T3i to a file format that can be read in Final Cut Pro 7.

The Canon EOS Rebel T3i/600D is new of the remarkable digital SDL cameras. And reading previus discussions, we learn that many folks are eager to find a best Canon T3i video converter to get the T3i camera recognized in FCP 7.
 
At first you should know that Canon T3i records its movies as .MOV files using variable bitrate H.264 compression, which is much more conservative of memory card space, but not fit for editing in FCP 7. To help you to get Canon T3i mov files editable in Final Cut Pro 7, Pavtube Canon MOV Converter for Mac is the first choice for you to make smooth videos for editing in FCP 7. It makes it easy to convert Canon T3i MOV footage to ProRes 422 for FCP.

Encode/Render Canon T3i H.264 mov video to Apple ProRes 422 Codec for FCP 7

In order to process Canon T3i MOV footage fast and seamless in Final Cut Pro, it requires that the H.264 .mov videos to be transcoded into Apple ProRes codec, which is the best intermediate codec developed specifically for seamless Final Cut workflow.

Step 1. Load H.264 .mov footage to Canon H.264 MOV Converter.

Transfer h.264 encoded .mov files from Canon T3i camera to your Mac HDD via USB cable. Run Pavtube HD Video Converter for Mac as the best Canon MOV to FCP Converter, and click the "Add" button to load .mov footage.



Step 2. Set a FCP friendly codec (e.g. Apple ProRes 422) as export format.

Click on "Format" bar and set a FCP friendly codec in dropdown-list. You are advised to follow "Final Cut Pro" template and choose "Apple ProRes 422 (*.mov)" as export format.



Tips:

1. H.264 codec has a much higher compression ratio than Apple ProRes, so the ingested files are significantly larger than the original files.

2. If you prefer smaller file size, choose "Apple ProRes 422 (LT) (*.mov)" instead.

3. The "Apple ProRes 422 (Proxy) (*.mov)" format offers file size at SD levels and is recommended for 480i/p and 576i/p shootings.

Step 3. Set possible best quality for FCP 7 editing.

Click the "Settings" button and customize proper video/ audio parameters if necessary. Video size, bitrate and fame rate are flexible and can be adjusted as you like.

E.g. Set video size to 1920*1080 when you feel like to keep 1080p as the source file features. Or set "original" in video bitrate drop-down list to keep best quality. You may skip this step as well as default format works well with FCP too.

Step 4. Start the process to convert Canon T3i mov files to ProRes 422 for FCP by clicking the big "Convert" button.

• Before you try to do the conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

Once the conversion is finished, you can click "Open" button to get the output files effortlessly.
Now you have got it right, feel free to import and edit Canon T3i mov files to Final Cut Pro 7.

• Refer to the guide to import video files and projects into Final Cut Pro.

Additional editing features of the Pavtube Canon MOV to ProRes Converter:

1. Combine files together- check the files to be merged in file list and check 'Merge into one' box beside 'Settings' button.

2. Deinterlace- click 'Editor', switch to 'Effect' tab, find 'Deinterlacing' box, and check it to eliminate interlacing lines.

3. Thumbnail- click 'Snapshoot' button when previewing the video. Click 'Option' to set the image format of screenshots.

4. Trim a section of the movie- click 'Editor', switch to 'Trim' tab, and input time point in start and end box.

The Pavtube HD Video Converter for Mac supports a more variety of DSLR cameras than you expect – including Canon EOS 5D Mark III, EOS-1D Mark IV, EOS 5D Mark II, EOS 7D, EOS 60D, Rebel T4i, Rebel T2i, Rebel T5i and Nikon DSLR cams. Pavtube Video Converter reads standalone .mov files from Canon memory card. You don't need the full card structure, just pick up what you want to keep.

Read Related Articles:

• MP4 to FCP ǀ AVCHD to FCP ǀ MOV to FCP ǀ H.265 to FCP
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Transfer Sony PMW-320 XDCAM MXF Content to FCP X or FCP 6/7

Follow this article, you will get the best solution to convert XDCAM MXF to FCP friendly Prores 422 codec, then you can easily solve Sony PMW-320 HD422 MXF editing problems with Final Cut Pro X and FCP 6/7 on Mac.

Sony is pleased to announce the introduction of the new PMW-320 XDCAM EX Camcorder. This new ½” shoulder mount camcorder joins the award-winning XDCAM EX product family of professional Solid State Recording acquisition tools. This new camcorder inherits all of the advanced creative recording features of the successful PMW-EX1, PMW-EX1R, PMW-EX3 and the PMW-350 camcorders, and also offers several enhancements such as improved low light capability as well as SD recording as a standard feature.

Similar to the PMW-350, the PMW-320 supports multiple frame rate recording such as 59.94i, 50i, and native 23.98P and 25P as well as being 1080i/720P switchable. Sony PMW-320 XDCAM camcorders' video format is MXF, using MXF footage on Mac is a big problem.

As XDCAM MXF format is not compatible with FCP X or FCP 6/7, if you want to edit Sony PMW-320 XDCAM MXF in Final Cut Pro, you'll need to download and install the Sony XDCAM Transfer Software. While, if you haven’t install these XDCAM import Plug-in for Final Cut Pro correctly, it’s still hard task to transfer Sony XDCAM media to FCP X or FCP 6/7.

Well, here is an easier way, that is, to convert Sony PMW-320 MXF video to FCP native ProRes 422 codec. To accomplish this goal, you just need a XDCAM to FCP Converter for Mac to help you. It can fast convert Sony PMW-320, PDM700, PDM-F800, PMW-100, PWM-200 camcorder XDCAM MXF to Apple Prores .MOV for editing in FCP X or FCP 6/7 without quality loss. It is an easy-to-use while high-efficient.

• For users who need to deal with multi-track XDCAM MXF file, refer to the guide here.

Free download and install it, and this guide will tell you how to solve Sony PMW-320 HD422 MXF editing problems with Final Cut Pro X and FCP 6/7 on Mac step by step.



1. Install and launch this XDCAM to ProRes Converter. Import Sony PMW-320 XDCAM MXF footages to the converter



3.Click Format bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).

4.You can click "settings" to customize the output parameters, adjust the resolution, bitrate as you want.

5.Start convert Sony PMW-320 XDCAM to ProRes for FCP editing on Mac.

Click the "Convert" button to start conversion. The conversion processes will transcode Sony PMW-320 XDCAM MXF to ProRes MOV videos to be compatible with FCP X or FCP 6/7 editing.

After conversion, you can import video files and projects into Final Cut Pro without any trouble. Congratulations! You have successfully taken the first step to make your own masterpiece.

With this Sony XDCAM to ProRes Converter, you can easily change Sony PMW-320 XDCAM MXF files to FCP X or FCP 6/7 for editing, this software runs fast, so you can convert your XDCAM footages to FCP in less time, video and audio synchronization are perfectly guaranteed.

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Converting Canon XA25 MTS recordings to Apple FCP and Aperture 3

Summary: In this tutorial, we intend to elaborate how to enable Apple Final Cut Pro and Aperture 3 to work with AVCHD MTS clips taken by Canon XA25.                                               

The XA25 is a compact, high-performance Professional camcorder designed specifically for "run-and-gun," ENG-style shoots with enhanced I/O connectivity. The XA25 offers a unique combination of high-precision optics, outstanding image processing, multiple Recording formats, flexible connectivity and intuitive User features.

The camcorder features both MP4 (up to 35 Mbps) and AVCHD (up to 28 Mbps) codecs at up to 1080/60p Resolution for virtually blur-free, high-quality capture of fast-moving subjects. Dual-band, built-in Wi-Fi technology allows easy FTP File transfer and Upload to the internet.

• Canon XA25 Reviews

I have a ton of footage a client brought in that was shot on a Canon XA25 HD camcorder. They are .MTS files. I don't see any timecode on them. I need to get them into FCP and Aperture 3 to edit with. But FCP/Aperture 3 does not see this kind of format and will not import. Anyone have an efficient workflow for this?

Why would you meet the trouble? Because FCP, including FCP 6/7 and FCP X, and Aperture 3 cannot support the native AVCHD footages from Canon XA25. In order to transfer MTS files from the XA25 to FCP and Aperture 3, you need to transcode the MTS to ProRes 422, FCP and Aperture 3 compatible video format. 

Luckily, we found an app called Pavtube MTS/M2TS Converter for Mac, which is a versatile and professional AVCHD to FCP Converter, tired it and succeeded. 

Overall, it is not only the best MTS/M2TS Converter for Mac which can aid you to convert Canon XA25 AVCHD to ProRes 422 for FCP and Aperture, but also designed for fast transcoding, deinterlacing AVCHD MTS footage from Canon, Panasonic, JVC, and Sony full HD AVCHD camcorder/cameras that makes the MTS editing work much easier with Non-Linear Editing Systems on Mac.  

See also:

• Edit Canon XA25/XA20 mts files in iMovie/FCE
• Import Canon XA25 AVCHD mts to Premiere Pro/After Effects CS6
• Canon XA25 AVCHD work with into Avid MC and Xpress Pro

Easy Guide on Converting Canon XA25 MTS recordings to FCP and Aperture 3

1. Download Pavtube AVCHD to Prores Converter for Mac, it's an professional AVCHD converter on Mac which can convert Canon XA25 AVCHD files to different formats.

2. Install and launch this AVCHD Converter for Mac. Import the 1080p .mts footages from Canon XA25 to the converter.



3. Click "Format" bar to choose output format, you can click and choose Final Cut Pro -> Apple ProRes 422 (*.mov) as the best codec for editing in Apple Final Cut Pro and Aperture 3.



4. If you want to customize the output parameters, you can click settings button. Adjust the resolution and others as you need.

5. Click convert button to start the Canon XA25 AVCHD to ProRes 422 MOV conversion.

With Pavtube MTS/M2TS converter for Mac, you can easily convert Canon XA25 AVCHD files to Apple Final Cut Pro and Aperture 3 for editing with Prores 422 codec MOV format.

After converting, you can import videos to Final Cut and Aperture 3 for editing as you want.
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