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Tuesday, August 13, 2013

Sony RX100 Mark II (M2) Hands-on -Sony's best point-and-shoot camera to date


Last year, Sony's RX100 changed the way many of us think about point-and-shoots. The camera's one-inch sensor enabled brilliant image quality and stellar low-light performance, netting DSLR-like results in a device you can slip in your pocket. It really did change the game when it comes to everyday photography, and I instantly fell in love. What remained to be seen, however, was how Sony would build on the RX100's success by releasing an even more capable model this year. In an unexpected move, the company opted not to retire 2012's blockbuster, and kept pricing exactly where it's always been, at $650. The RX100 Mark II, meanwhile, was marketed as a modest step up -- an even more well-rounded package, for 100 bucks more.





When my Mark II sample arrived, I did what any jaded New Yorker would after a half-dozen years of shooting sample photos in Manhattan: I booked a flight to somewhere else. United's last-minute weekend specials made Chicago the best bet, and off I went for a weekend of perfect weather, approachable restaurants and sidewalks that weren't so crowded that I had to walk in the street. It's like New York -- if you take away a million tourists and pepper in smiling Midwesterners and affordable adult beverages.

Key Features:

  • 1"-type Exmor-R BSI-CMOS sensor (13.2 x 8.8mm, 3:2 aspect ratio) 
  • 20.2 million effective pixels 
  • 28-100mm (equiv), f/1.8-4.9 Carl Zeiss Vario-Sonnar T* lens 
  • Steady-Shot image stabilization 
  • ISO 160-12,800 (Down to ISO 100 and to 25,600 expanded) 
  • NFC-mediated Wi-Fi allowing file transfer and control from smartphones 
  • Rear control dial and customizable front control ring 
  • 10fps continuous shooting in 'Speed Priority' mode 
  • Tiltable 3" 1.2M-dot 'WhiteMagic' LCD screen 
  • 13 Picture Effects (27 with variations) 
  • Memory Recall feature can store up to three groups of custom settings 
  • 1080p60 video, (AVCHD) with MP4 option (50p in PAL regions) 
  • Built-in stereo microphones 
  • 330-shot battery life (CIPA)  
The final notable physical adjustment is the new Multi Interface Shoe. It looks like a typical hot shoe that you'd find on any ol' DSLR, but this version adds a multi-pin connector for interfacing with accessories like an OLED EVF or a microphone rig -- neither of which I needed to try out on a brief vacation. Some photographers clearly prefer shooting with an EVF, but the tilting LCD suited me just fine, even with the bright summer sun hitting the camera from above.



The pictures, as expected, look great. The camera did a fine job of exposing, and colors and white balance were spot on. Everything I loved about the previous RX100 is present here, too, so you can absolutely expect a top-shelf experience through and through. The one notable setback is the price. It'll run you $750, which admittedly is a bit more than we'd like to pay for a point-and-shoot, regardless of its performance. But when you start looking at this strictly as an ILC replacement, that sky-high price tag begins to make a bit more sense. Cheap it's not, but if you want the absolute best, consider this your only option.