Panasonic ZS30 and Final Cut -Edit Lumix DMC-ZS30 MTS in FCP 6/7

Panasonic Lumix DMC-ZS30 (TZ40 in Europe) is the latest version of the company's hugely popular travel zoom camera. Announced in January 2013, it comes exactly one year after its predecessor, the best-selling ZS20/TZ30, and like that model the ZS30/TZ40 becomes the first of the new crop of pocket super-zooms to reach the market. 

The most important specification of any super-zoom is of course the optical range, and for the new ZS30. Panasonic has however improved the image stabilization with a new five-axis correction system that claims to particularly benefit movie shooting. The compact camera DMC-ZS30 can shoot 1080p60 AVCHD/MPEG-4 video. Besides it is packed with a whole range of features that provide outstanding performance in every environment. No matter what time of the day or night, the camera guarantees outstanding results due to the 24mm Ultra Wide Angle LEICA DC lens and 20x Optical Zoom.

If you have got this WiFi enabled compact long zoom camera, you can use it to record 1080 60p AVCHD and MP4 videos. When the capturing process is over, you may want to do some post workflow with the video to make them more delicate and amusing to share with your friends. Here we share the solution to transfer Panasonic DMC-ZS30 AVCHD to FCP 6/7 on Mac with you.

Take the Lumix DMC-ZS30 and Mac compatibility into account, we find the common Mac tool Final Cut Pro 6/7 can’t ingest the 1080 60p footage from Panasonic DMC-ZS30. The best workaround is to transcode the 1080 60p AVCHD to ProRes for FCP 6. You can get the best and yet professional MTS Converter for Mac to fast convert Panasonic Lumix DMC-ZS30 video to ProRes 422 without losing quality. This tool is also can be applied for Lumix DMC-ZS25 users. Now let’s start the AVCHD to ProRes conversion on Mac OS X.

Now please follow the steps below to convert Panasonic ZS30 AVCHD to Prores .mov for  FCP 6/7 editing on Mac.

1. Go to download and install the best Mac Panasonic MTS Converter to make the transcoding task without quality loss, which offers you particular Apple ProRes profiles for Final Cut Pro. It also provides AIC codec for iMovie/FCE and DNxHD for Avid. Then launch the software to import your AVCHD clips to it.



2. Click on the Format box to select Final Cut Pro > Apple ProRes 422(*.mov) as the output format for editing ZS30 MTS in FCP. 

3. You can click the Settings icon to do some audio/video settings. We recommend 1920*1080 as video size and 30fps as video bitrate for easier editing on Mac. If you are in PAL(50p) area, you are recommended 25fps as video bitrate.



4. Hit the Convert button; it will convert Panasonic ZS30 1080p AVCHD to FCP 6/7 on Mac immediately.

When the conversion process shows in 100% with the top AVCHD to MOV Converter Mac, you can get the resulted videos from output folder easily for importing and editing in FCP.
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How to convert Panasonic P2 HD MXF to ProRes for Final Cut Pro

Pavtube iMedia Converter for Mac is an easy-to-use and intuitive Mac MXF to ProRes Converter tool which can help you transcode recorded P2 HD MXF clips to ProRes 422, ProRes 422 HQ or 4444 for smoothly editing with Final Cut Pro 6/7/X.
 

Recently many camcorder producers have released their high-end products to attract video editors with high tech in their camcorders. You'd know that professional camcorders series usually use MXF container format to record videos instead of AVCHD format, which is often used in family expenses camcorders.

MXF is a special HD video format which has been put to use in many high-end camcorders such as Cannon XF series and Panasonic P2 HD series (including AG-HPX170, AG-HVX200, AG-HPX300, AG-HPX370, AG-HPX500, AJ-HPX2100, AJ-HPX2700, AJ-HPX3000, and AJ-HPX3700, etc.). Files are saved onto the P2 memory card in MXF format allowing direct data transfer to broadcasting and production system.

However, those files in MXF format have proved to be not so well-suited when they are about to be edited in Final Cut Pro.

The footage came from a Panasonic DVCPRO HD P2 camera. I have converted many files from this same camera with no problem but for some reason now it has no audio. I cannot find that screen you have referenced below. Is there a way someone can help walk me through this? 

To edit Panasonic P2 video footage with Final Cut Pro, you have to convert P2 MXF to FCP natively supported video format like MOV with Apple ProRes Codec. Here we recommend you the best  P2 MXF Converter for Mac which can help you to transcode Panasonic P2 MXF to Apple ProRes .mov format for FCP on Mac OS X quickly and easily.  Here comes the detailed guide. 

Notes:

1. Please ensure that the computer you are using to do P2 MXF conversion has Final Cut Pro installed, otherwise, the converted files will have audio only without image.
2. If you are using FCP X, please make sure you have installed ProApps QuickTime Codecs, or you may get files with sound only without video. The FCP X does not install the ProApps QuickTime Codecs automatically, so you need download and install the codec manually.

While importing MXF clips to Pavtube MXF to ProRes converter for conversion, please make sure you have the entire MXF file structure as it saved on your camcorder’s P2 card. If you only have some loose .MXF clips, your files will have image only without audio. See MXF file structure on Panasonic’s P2 card as below.



The above screenshot clearly shows .MXF clips are all saved in ‘VIDEO’ folder, while audio files are all stored in ‘AUDIO’ folder. When you importing .MXF clips from the correct file structure, Pavtube MXF to FCP Converter is able to recognize audio tracks from ‘AUDIO’ folder automatically, which ensures the generated ProRes 422 MOV files have both image and sound correctly.

Step 1: Click “Add Video” button to import P2 .mxf files

Step 2: Choose “Apple ProRes 422 (*.mov)” as output (Pavtube iMedia Converter for Mac has a preset option to choose a format specific to the Final Cut Pro)

Step 3: Click “Convert” button to convert P2 MXF on Mac

As soon as the conversion is finished, click “Open” button to get the generated Apple ProRes 422 MOV files to FCP (X) for extending editing.

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FCP and Canon MOV transcoding- Convert Canon 1D H.264 MOV to FCP X with Apple ProRes

Canon EOS-1DX, a fantastic camera that can deliver high quality videos with the full-frame 18.1 Megapixel CMOS sensor and all-new Dual DIGIC 5+ Image Processors, features the Enhanced EOS HD Video at 1920 x 1080 in selectable frame rates of 24p, 25p, or 30p; and 720p HD or SD video recording at either 50p or 60p. In the dimmest low-light conditions it can also provide sharp, low-noise images low-noise images.


However, here comes the problem. How can we edit video files shotting by Canon EOS-1D C in FCP? We all know that Final Cut Pro provides non-linear, non-destructive editing of any QuickTime compatible video format . But frequently, we will notice that, sometimes .MOV video files taken by some DSLR camcorders could not be read by FCP directly, such as Nikon DSLR, Canon DSLR. Why? It is codec problem that MOV works as container format which can hold most codec data, but it still may contain the codec that FCP could not recognize just as Canon EOS-1D C MOV files. If you want to import Canon EOS-1D C MOV to FCP for better video enjoyment, you will have to use a practical Mac MOV to FCP converter.

Final Cut Pro supported best video format is Apple ProRes 422 Codec MOV format, so in a word, you need to convert EOS 1D MOV to ProRes 422 codec MOV format . You can follow the steps below to edit EOS 1D video well in FCP on Mac.

The preparation you need to do is that to find a best MOV to FCP converter for mac.

Step by step for you to convert Canon EOS-1D C MOV to FCP compatible format.

Step 1. Load Canon EOS 6D mov files.

After install, open up the professinal Canon 6D MOV to Final Cut Pro Converter. Click "Add video" or "Add from folder" tag to browse and load source MOV files from your Canon 6D camera directly or from an archived folder saved on your HDD. You are allowed to add multiple files to convert at a time.

Tip: If you have multiple MOV files, you can select the "Merge into one" box to join your MOV files into one single file.



Step 2. Select output format for Final Cut Pro 6/7/X.

Click "Format" column to choose the "Final Cut Pro -> Apple ProRes 422 (*.mov)" Apple ProRes 422 MOV as best output format for editing in FCP 6/7/X.



Step 3. You can click settings button to adjust the output video and audio’s parameters, such as resolution, bitrate, codec and frame rate, etc.



Step 4. Edit function is useful and convenient for you to use. You can trim, crop, adjust effects or add watermark to the video. such as "how to trim and maintain a certain section of a Canon 6D MOV clip?"

Click "Edit", when the "Video Editor" interface appears, switch to "Trim" tab, on which you are allowed to trim your wanted section by setting Start and End time. When finished, click "OK" to confirm.



Step 5. Convert Canon EOS 6D MOV to ProRes 422 MOV for FCP 6/7 or FCP X.

Click "Convert" button to start convert Canon EOS 6D H.264 MOV videos to ProRes 422 MOV for working within Final Cut Pro (or FCP 6/7, FCP X). When the conversion is done, click "Open" button to get the generated ProRes 422 files for using in FCP 6/7/X.

After converting Canon EOS 6D MOV files, just according to the following tutorial import the output Apple PreRes 422 .mov files to Final Cut Pro (X), Final Cut Pro 7 or Final Cut Pro 6 for editing the video. Optimize your workflow and save time with the Apple ProRes compression for Final Cut Pro X. You can also import the output videos to Final Cut Express 4 (FCE 4) for editing in full HD.

Additional Contents

Pavtube HD Video Converter for Mac can also help you convert Canon EOS 6D MOV files to Mac Compatible Formats like ProRes 422(*.mov), Apple Intermediate Codec (AIC)(*.mov), Avid DNxHD, XDCAM MOV, HDV, DVCPRO, MOV(AVC), H.264 MOV for editing software FCP (X), iMovie, FCE, Avid Media Composer, Adobe Premiere Pro, Apple Aperture 3, Kendlive, etc or convert to other common formats such as MP4, WMV, MPG, MPEG, 3GP, AVI, and even H.264 MOV for other usages. Only need to change the "step 2″:

- choose "Avid DNxHD (*.mov)" for Avid Media Composer
- choose "Apple InterMediate Codec (AIC) (*.mov)" for iMovie or Final Cut Express
- choose "MOV (AVC) (*.mov)" for Adobe Premiere Pro

Good-fellowship clew: Here is a Free DVD Creator for Mac, it can help you free burn Canon 1D MOV video to DVD disc on Mac (include Mac Mountain Lion 10.8).

The last step you need to do is to imput the created file from Canon EOS-1D C MOV Converter to FCP.

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Deinterlace and Convert Canon VIXIA HF G20 1080 60i AVCHD recordings to FCP X

This article will show the best way to convert Canon AVCHD to ProRes 422, so that you can import Canon Vixia HF G20 1080 60i .MTS files into Final Cut Pro X for smooth editing work.
Canon VIXIA HF G20 Full HD camcorder, as the Canon's VIXIA family's a new member, has come to us along with the HF R-series. According to the camera maker, the G20 is designed to rival pro-level camcorders in image quality. It captures Full HD 1920x1080p videos in MPEG4 or AVCHD format. Intended for professionals, the G20 features nine Cinema-Look Filters to create video with a variety of professional cinematic look and Professional Shooting Assist functions.

As a Mac and FCP user, I like to edit 1080p AVCHD video with FCP X. Final Cut Pro X users always have the headache since they find the problem editing Canon VIXIA HF G20 AVCHD 1080i files in FCP X on Mac. How to solve the incompatibility is the key to make Canon HF G20 more convenient for shooting and editing. And as far as we know Apple ProRes is perfectly compatible with Final Cut Pro.

So the problem becomes easier to solve. Just find out a converter, which can transocde Canon HF G20 AVCHD recordings to ProRes on Mac and keep the quality as original. Plus, 1080i videos are not perfectly readable for these video edit programs including FCP, iMovie, FCE, Avid Media Composer, etc. Thus, deinterlacing Canon 1080/60i MTS on Mac is imperative to be considered.

If you haven't found out a decent AVCHD convert tool yet, you may try the top AVCHD to FCP X Converter we recommend here. It can not only convert HF G20 AVCHD files to ProRes 422 with the original high definition, but also deinterlace 1080i files to make the converted files more smoothly in FCP X.

Here we show you the guide on how to deinterlace and convert Canon VIXIA HF G20 1080/60i MTS to FCP X

1. Download Pavtube HD Video Converter for Mac, it’s a professional Canon AVCHD converter for FCP X  which can convert G20 AVCHD files to ProRes 422, AVI, etc.

2. Install and launch this Canon MTS converter for FCP. Import the footages to the converter.

3. Click format bar to choose output format, you can click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).

4. If you want to customize the output parameters, you can click "Settings" button and enter "Profile Settings" panel to adjust the resolution and other A/V settings as you need.



5. Click convert button to start the Canon G20 AVCHD to ProRes 422 conversion.

With Canon AVCHD converter for FCP, you can easily not olny transcode Canon G20 AVCHD to Prores 422 for FCP, but also convert Canon XA10 AVCHD files to Final Cut Pro, convert VIXIA HF M500 AVCHD to FCP, convert Vixia HF M300 to FCP, convert Vixia HF S10/S100 to FCP, etc. Just try and have a good time.

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Solving problem with importing Sony XR500 MTS files in Final Cut Pro 7

Summary: Tutorial for Beginners, this article will tell you how to Make Sony HDR-XR500 AVCHD footages compatible with Final Cut Pro 7. You can transcode Sony NR-500AVCHD to ProRes MOV via AVCHD to ProRes Converter, then import the covnerted AVCHD files to Final Cut Pro 7 for editing on Mac.

Sony HDR-XR500 provides HD recording with 120GB HDD and 6-megapixel CMOS sensor. The HD videos are stored as AVCHD .mts, which is not the preferred compression for editing on FCP. The Apple Final Cut format is Pro Res footage.
After searching solutions for MTS to ProRes, I got the workaround with Pavtube MTS/M2TS Converter for Mac and the Apple Compressor, which comes with Final Cut. I convert the MTS files from Sony HDR-XR500 to the highest quality codec at same frame rate and size as the raw footage, and then output Pro Res with Apple Compressor. If you would also like to go further with detailed explanation, just keep reading.

Even though the above methods work for AVCHD videos,you may find 1080p .mts videos are not recognized/imported to FCP 7. At present, the most efficient way to play and edit your Sony HDR-XR500 AVCHD MTS files is re-encoding them to Mac friendly video format, like MOV for further playing and editing in FCP, FCE and iMovie. While looking for solutions to import Sony HDR-XR500 MTS/M2TS to Final Cut Pro 7 on Mac, I downloaded and tried several converters and found the Sony AVCHD to FCP 7 Converter works better for me.

Guide: Transcode Sony XR500 AVCHD to ProRes 422 MOV for smoothly editing in Final Cut Pro 7 on Mac Lion 10.8?

The best way is to convert Sony XR500 MTS/M2TS to FCP 7 best supported Apple RroRes codec. Now I will start with the step-by-step guide on how to convert Sony XR500 AVCHD to MOV and then import the converted videos for editing in Final Cut Pro 7.

Step 1: Download Sony AVCHD to Prores Converter, import your Sony XR500 AVCHD file.



Step 2: Click format column and choose the output format. You are recommended to choose Final Cut Pro -> Apple ProRes 422 (*.mov)


Tips: If you want the files to be in smaller size, you can follow Final Cut Pro > Apple ProRes 422(LT) (*mov)/Apple ProRes 422(*mov) option. If your files size is at SD levels, you are advised to choose "Final Cut Pro > Apple ProRes 422(Proxy)(*mov)".

Step 3: Setting the best video profile for Final Cut Pro 7.


Click "settings" button to adjust the output video's parameters, such as bitrate, resolution, etc.



Step 4: Hit "Convert" icon, start transcoding XR500 1080p AVCHD to ProRes 422 MOV for Final Cut Pro 6/7/X editing on Mac.

After the Sony AVCHD to FCP 7 conversion, import the converted MOV files to Final Cut Pro 7, then you can edit Sony XR500 AVCHD in FCP smoothly without rendering.

Read more: 

• Import AVCHD to Avid Media Composer to Solve Avid won’t Import AVCHD
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Canon C300 Workflow- Import/Load Canon C300 MXF to FCP 6/7 or FCP X

Which one is the most popular and hotly-received professional camcorder last year in 2012? It is no doubt that the Canon EOS C300 will on the top of the list. The new Cinema EOS camera, together with 5D Mark III, has successfully attract attention with its far more compact and less cluttered design, although not the price. Its new supper 35mm CMOS, DIGIC DV III Image Processor and Fully Compatible with New & Existing EF-mount Lenses make it meet the demanding needs of cinema industry professionals.

You may have got this camcorder, but you may find it is difficult to use canon C300 MXF files when you want to edit MXF in FCP X on Mac, or just want to put C300 MXF on tablet for playback. MXF format is not a common video format, and it is not supported by many editing software like FCP X and iMovie on Mac, or Premiere on Windows. Below is a guide for you to convert C300 MXF to FCP X for editing.

1.  Download Pavtube MXF Converter for Mac, it's a good MXF converter on Mac/transfer MXF on Mac.


2. Install this C300 MXF to FCP X converter. Import the MXF files to the converter you want to convert.


3. Click format bar to choose output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov), it's the best format for editing in FCP X.

4. If you want to customize the output settings, you can click "settings" button to adjust the resolution, bitrate, etc.

5. You can click properties to adjust the audio stream ID if you find the C300 MXF no sound. Besides, you can click settings button to adjust the resolution, bitrate, etc. Just customize the parameters to meet your need.






5. Click convert button to start convert C300 MXF to FCP X.

With the excellent C300 MXF to FCP converter, you can use MXF files in FCP X on Mac as you want.

Read More:

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Transcode/Edit Sony Alpha A57/A65/A77 AVCHD video to mov for Final Cut Pro on Mac

In this tutorial you are going to learn how to convert AVCHD Video from Sony Alpha A57/A65/A77 to FCP compatible formats for editing.
 
Nowdays, more and more cameras can record full HD 1080 60p AVCHD files. If you'eve recorded your ideas or memory into HD videos with Sony A57/A65/A77, you may also want to edit those AVCHD mts files in Adobe Premiere. But you may encounter some problems when you want to import Sony A57/A65 footages to FCP for editing, like import it slowly, and couldn't edit videos smoothly.

The reason you can't edit Sony AVCHD MTS files in FCP smoothly is that AVCHD MTS/M2TS files are not well supported by FCP on Mac due to the unfriendly codec, you can't edit the videos smoothly in Final Cut Pro. The best solution is to convert Sony A57/A65/A77 AVCHD MTS/M2TS to FCP best supported Apple RroRes codec.

• Required Software:Pavtube MTS/M2TS Converter - a top Sony AVCHD Converter for FCP

Now I will start with the step-by-step guide on how to convert Sony A57/A65/A77 AVCHD 1080/60p MTS/M2TS to ProRes 422 and then import the converted videos for editing in Final Cut Pro.

Step1: Download Pavtube HD Video Converter for Mac and import your Sony A57/A65/A77 AVCHD file.

Step2: Click format column and choose the output format. You are recommended to choose Final Cut Pro -> Apple ProRes 422 (*.mov)

Tips: If you want the files to be in smaller size, you can follow Final Cut Pro > Apple ProRes 422(LT) (*mov)/Apple ProRes 422(*mov) option. If your files size is at SD levels, you are advised to choose Final Cut Pro>Apple ProRes 422(Proxy)(*mov).

Step3: Click settings button to adjust the output video's parameters, such as bitrate, resolution, etc.



Step4: Start converting Sony A57/A65/A77 1080/60p MTS/M2TS videos to Apple ProRes for Final Cut Pro 6/7/X

After the Sony A57/A65/A77 AVCHD to FCP conversion, import the converted MOV files to Final Cut Pro, then you can edit Sony A57/A65/A77 videos in FCP smoothly.

You can also convert Sony A57/A65/A77 AVCHD to best editing codec for iMovie/Premiere Pro on Mac. Just enjoy your HD videos from Sony A57/A65/A77 in your FCP now! Good luck to you!

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Nikon D800E to FCP Importing Tips-Smoothly edit Nikon D800 h.264 videos in Final Cut Pro

The D800E is designed to stimulate cinematographers to explore different moods and perspectives by enabling Full HD and HD video recording in two frame formats; Nikon FX- and DX-based movie formats in just one camera. By using the B frame data compression method, you can record 1080p Full HD video at 30p in H.264/MPEG-4 AVC format with unmatched moving image integrity for up to 29 min. 59 seconds of recording in a single clip.

"Just shot some footage with the Nikon D800E, I haven’t shot or edited HD before now, so need some help setting up the project, understanding about transcoding, exporting etc. This is also my first time shooting with a DSLR camera. The footage itself looks great. Problem is editing a sequence in FCP. I've read different things online regarding importing the D800E directly into FCP. Do I need to transcode the D800E files using ProRes or something else? And if so, how?"

This question is asked by a Nikon user, if you have used nikon D800E camera recorded many 1080P footages, you may want to import Nikon D800E video to FCP X/6/7 for editing. If you have got the D800E and often use it to record 1080P video, you may have the need to edit D800E MOV in Final Cut Pro on Mac, but FCP X best supported video format is Apple ProRes 422 codec MOV format, so FCP X doesn't support Nikon D800E MOV footages well. The best method to solve this problem is to convert D800E MOV footage to ProRes for editing in Final Cut Pro X, you can follow the steps below to transcode D800E MOV to FCP X for editing.

1. Download Pavtube Mac Nikon h.264 MOV Converter. This professional HD Video Converter can help you convert D800E MOV files to ProRes 422 MOV format for Final Cut Pro, more output formats are also supported.

2. Install and launch this D800E MOV Converter. Import Nikon D800E footage to the converter.


3. Click format bar to choose the output format. Click and choose Final Cut Pro -> Apple ProRes 422 (*.mov).


4. You can click "settings" to customize the output parameters, adjust the resolution, bitrate as you want.


5. Click convert button to start.

With this D800E MOV to Apple ProRes 422 converter, you can easily change D800E files to FCP X for editing, this software runs fast, so you can convert your D800E footages to FCP in less time.
Tips:

Before you try to do the conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

This Mac Nikon MOV Video Converter can alson convert videos to iMovie, Premiere Pro,FCE and Avid with good quality.

And you can get more info about how to import video to FCP (x) on pavtube website.

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Make incompatible Canon Vixia AVCHD MTS files work with FCP on Mac

Canon Vixia AVCHD Camcorders use AVCHD to record video as the following Vixia models: Canon Vixia HF S30, Vixia HF S21, Vixia HF S20, Vixia HF S200, HF M31, Vixia HF M30, Vixia HF M300, HF R11, Vixia HF R10, Vixia HF R100 (SDHC), Vixia HF S10, Vixia HF S100, Vixia HF20, Vixia HF200, Vixia HF S1,Canon VIXIA HF10.

These camcorders only record in high definition format using a special codec (compression/decompression) called AVCHD. This new codec is revolutionary for it's ability to compress very high quality HD video in a relatively very small space. Final Cut Pro (FCP) has gained the favor of many professional users including Hollywood film makers. But it only takes QuickTime and iMovie compatible video formats such as QuickTime MOV, QuickTime MP4, DV, HDV etc. Therefore, you are unable to transfer Canon Vixia AVCHD into Final Cut Pro and edit Canon Vixia video with FCP.

Now please follow the steps below to convert incompatible Canon Vixia AVCHD videos to FCP workable Apple ProRes files keeping the original video quality.

Step 1. Run the perfect Mac Canon MTS Converter , and click the "Add file" button to load the Canon Vixia videos to it.



2. Step 2. Click on Format > Final Cut Pro > Apple ProRes 422(HD) (*.mov) as the export to keep HD video for Final Cut Pro. Afterwards, you can set the output profile as you want.


3. You can click the Settings icon to do some audio/video settings. We recommend 1920*1080 as video size and 30fps as video bitrate for easier editing on Mac. If you are in PAL(50p) area, you are recommended 25fps as video bitrate.



Tip: Deinterlace Canon Vixia 1080i AVCHD

Click the "Editor" button, go to the Effect tab, and make sure the checkbox for Deinterlacing is ticked. The converter will remove interlacing artifacts from 1080i AVCHD videos perfectly.

4. Step 4. Click the "convert" button, and the Mac AVCHD to ProRes Converter will start transcoding Canon Vixia AVCHD to ProRes for FCP on Mac OS X immediately. Then you can get the resulted videos from output folder easily for importing and editing in FCP.

Tips: 

This Mac AVCHD MTS Converter is also compatible with other Mac Non-linear editing system like Final Cut Express, Avid Media Composer, iMovie, Roxio Toast, etc to import the AVCHD footages on Mac without incompatibility problems. You can get more info about how to edit Canon Vixia AVCHD MTS in iMovie.

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