Top 5 Gift ideas for your beloved Daddy at 2013 Father’s Day

Father the man with great personality and great thoughts and truly the most beautiful blessing of God. He is man who works day and night restlessly to fulfill his children’s desires, to send them to the best educational institute and to provide them with all the happiness they need. He kills his own dreams to fulfill ours. He gives the first priority to our desires and doesn’t care about his own. In short father is a best of the best gift.

He does so many things for us without asking for anything in return. So at least we can make him feel happy on occasions like father’s day and present him with a unique gift that will spread smile on his face.

Have you thought of any tech gadget for Father’s Day? Even I can’t decide on the coolest tech gadget There are so many to choose from, how about my top picks? So here are the top five gift ideas for your father at father’s day.

Top 1: IOS Device: iPad/iPhone/iPad/Apple TV.



Apple based devices become an essential part in many people’s life and we would love to put everything such as pictures, videos or anything else on our iPad 3, iPhone 5, iPod and Apple TV 3 for watching or sharing with our family and friends. Most of the fathers want to spend their holiday with bringing a portable device, and at home they also wanna backup and store their favourite movies for futher wathing. So I am sure this will make him very happy.

Top 2: DSLR Camera or Digital camcorder: Sony F55, Sony SR1, Nikon D800, Canon 650D/T4i, Canon C300, Canon C500, Canon XF105 Panasonic AJ-HPX 2000

                               

Digital SLR camera: Upgrade your Dad to professional-quality photography electronics with a high-resolution digital SLR camera. Digital SLR cameras provide superior control over image quality to produce stunning photos that can rival the work of professional photographers. This Father's Day, he could be checking the white balance, adjusting the focus, and creating some beautiful snapshots.

Digital camcorder: Sometimes, it might seem like your life is a movie, and your Dad is the director. Help him bring his film-production values up a level this Father's Day with a digital camcorder. He can record your next family vacation and edit his cinematic masterpiece on the computer to share with family and friends. HD digital camcorders record high-quality video in resolutions up to 1080p, which look great on widescreen HDTVs and other display electronics.

There are many good options for you, I have list for you Best Digital camera 2013 and Best Digital camcorder 2013. 

Top 3: Useful all-in-one Video Converter Ultimate program 

Pavtube Video Converter Ultimate integrates a best Blu-ray Ripper, a DVD Ripper, and a Video Converter together for your father to backup and rip Blu-ray/DVD, ISO/IFO movies and convert various video and audio files to device optimized formats with super fast conversion speed and excellent image and sound quality.

See how to convert Blu-ray/DVD and HD videos for iPad/iPhone/iPod/Apple TV watching. 

Top 4: Best iMedia Converter for Mac software tool

Pavtube iMedia Converter for Mac is an all-in-one Blu-ray Converter for Mac, Mac DVD Converter, and Video Converter for Mac. It helps you convert videos, non-protected Blu-ray and DVD movies to a wide variety of devices for well playback, including iPad/iPad 2, the new iPad, iPad mini, iPad 4, Galaxy Tab 10.1, Kindle Fire HD 7/8.9, Microsoft Surface RT/Pro, Apple TV/Apple TV 2/Apple TV 3, etc.

The iMedia Converter for Mac can convert 1080p/720p camera/camcorder footage(.MXF, .MTS, .MOV, .AVI…)to editable files for using in non-linear editing apps like iMovie, Final Cut Express, Final Cut Pro (X), Avid Media Composer, Adobe Premiere Pro and more. The HD footage can be compressed to SD video clips for storage when you wanna save storage space. The Mac iMedia Converter is also able to extract audios from Blu-rays, DVDs and various videos for media players with high quality and fast conversion speed.

Steps: Transferring Sony/Panasonic/Nikon MTS/MOV/MXF footage to Mac

Step 1: Download and install Pavtube iMedia Converter for Mac as a Mac Video Eocoder, lanch it and load your MTS/MOV/MXF footage to the program.

Step 2: Click on “Format” bar and locate the appropriate output profile.

Final Cut Pro 7/X

Move mouse cursor to “Final Cut Pro > Apple ProRes 422 (*.mov)” to set a FCP 7/X best codec.



Apple ProRes 422 – Higher quality than Apple ProRes 422 (LT)

Apple ProRes 422 (HQ) – Keep original video quality for editing in FCP

Apple ProRes 422 (LT) – Get a smaller file sizes than Apple ProRes 422

Apple ProRes 422 (Proxy) – SD levels – 480i/p and 576i/p. Used in offline workflows.

Apple ProRes 4444 – Edit and finish 4:4:4 material

Final Cut Express and iMovie Choose FCE and iMovie friendly format- “iMovie and Final Cut Express > Apple Intermediate Codec (AIC) (*.mov)



Avid Media Composer 5.5/6 

In order to take advantage of the plugin AMA, you have to make sure that you still keep the structure of the file folder recorded by your camera. If not, here you can set Avid DNxHD (*.mov) for natively editing in Avid MC.



Step 3: Click “Convert” button to start transcoding Sony/Panasonic/Nikon MTS/MOV/MXF files to Prores/AIC/Avid DNxHD.mov on Mac OS X.

Step 4: Locate and select the file you want to import, then click Import for further editing in Final Cut Pro 7/X, Final Cut Express/iMovie, Avid Media Composer.

Now editing MTS/MOV/MXF footage in FCP, iMovie/FCE, Avid MC is natively, smoothly and without any problems. Video and audio quality and synchronization are perfectly guaranteed.

Other tech Gadget for you:

GPS navigation: Your Dad's a busy guy, so he doesn't have time to stop and ask for directions. Set him up with an automotive GPS that will help him map out his route and cut through traffic.

High-quality headphones: Hardworking Dads sometimes need to retreat into relaxation. Give him some noise-canceling headphones for his MP3 player or stereo.

Video game console: Hey, Dads can be gamers, too! And video game electronics are fun for everyone especially games that he can play with the whole family. 

Of course, the ideas above is only some coolest tech gadget for you, the most imporant is to show your great love to your father, so here comes the special gift to your father, that is: 

Top 5: A Warm Hug in the Morning

The best and the most unique gift to your father on father’s day will be this that when he wakes up in the morning, give him a hug and tell him that how much you love him and thank him for everything he has done for and make him comfort by telling him that when he gets old, you will always be there to look after him like a shadow like he did when we were small kids. 

Now, don't hesitate! Just do it! You can also take a look at Pavtube 2013 Father's Day Biggest Promotion which can give you more Father's Day Gift Guides. I hope that above article have helped you people to choose best gifts for dad on father’s day. 

2013 Best & Easiest Lossless AVCHD Editor and Converter

Are you a beginner of video editing? Do you want to edit the hundreds of movies shot by cameras, camcorders, Smart Phones, and tablets in various formats? Do you want to save your storage space by trimming and deleting unwanted parts from MTS or M2TS videos without quality loss? Do you want to convert camcorder videos into Apple ProRes, AVI, or other formats for better editing in Final Cut Pro, Avid Studio, Adobe Premiere, Pinnacle Studio, Sony  Vegas, Windows Movie Maker, etc? Do you want to remove ads from TiVo shows and watch them on your tablets, SmartPhone or Apple TV? 

If yes, you can do all of the above with one simple and easy video editing software for beginners, Pavtube Media Magician, or its Mac version, Pavtube Media Magician for Mac.


Free Download and Trial for Windows or Mac

Free Trial on Windows
Free Trial on Mac 10.5 & 10.6
Free Trial on Mac 10. 7 & 10.8

Satisfied with it? Ready to Buy? Leaked a way for you to save money: if you buy Pavtube Media Magician in Facebook Giveaway page, you will Get 45% OFF, Save $20, God! Awesome! If you are camcorder fans, this product is absolute value for money!

See Also: FaceBook Leak: 45% OFF to Get Pavtube Media Magician – A Useful Video Editor and Converter




What can Pavtube Media Magician (for Win or Mac) help you?

Input:

Camcorder footages: MXF, AVCHD(MTS, M2TS), AVCHD Lite(MTS, M2TS), MOV,TOD, MOD, etc.

Other video formats: *.avi,*.divx, *.wmv, *.wma, *.asf, *.dvr-ms, *.wav, dts in wav, *.rm, *.rmvb, *.ra, *.mov, *.qt, *.mp4, *.3gp, *.3g2, *.dv, *.m4b, *.m4v, *.m4a, *.aac, *.flv, *.f4v from YouTube, Hulu, Fox, etc., *.dat, *.mpg, *.m2v, *.m2t, *.m2ts, *.ts, *.tp, *.evo, *.mkv, *.dv, *.flc, *.fli,*.gxf, *.pss, *.mvi, *.mtv, *.vdr, *.pmf, *.pva, *.k3g, *.vp6, *.nsv, *.nuv, *.dmskm

Output:

Common format: MPEG-2 (*.mpg), MPEG-4 (*.mp4), *.avi, *.wmv, *.mov, *.mkv, *.m2ts

Device: Andoid Tablets and smart phones, Windows Tablets and smart phones, iPad, iPhone, Apple TV, HD Player, PSP/PS3, HDV

Editor:

For Windows: Avid Media Composer (*.mov), Adobe Premiere & Sony Vegas (*.wmv, *.mov, *.mpg), Adobe After Effect(*.mpg, *.mov), Cybelink PowerDirector (*.avi, *.wmv), Pinnacle Studio(*.mp4, *.mpg).
For Mac: iMovie and Final Cut Express (*.mov), Avid Studio (*.mov), Adobe Premiere (*.wmv, *.mpg, *.mov), Adobe After Effect (*.mpg, *.mov), Apple Aperture (*.mov), Final Cut Pro (Apple ProRes MOV).


Lossless: Original format (*.mts, *.m2ts, *.mod, *.tod), MKV (*.mkv)

Online: YouTube (*.mp4, *.webm)

Features:

Import/ backup/ manage camcorder footages
The smart camcorder wizard helps connect camcorders to PC and import directly from camcorder or backup camcorder videos to local.

Lossless output from AVCHD MTS to MTS or MKV
Output Apple Prores MOV, lossless MTS/MKV, MPEG-2/4, AVI/WMV/MOV/MKV/M2TS.

Output Apple ProRes MOV for editing in FCP without rendering (Mac only)
As long as you have right version of FCP installed, you can output Apple ProRes MOV like Apple ProRes 422, Apple ProRes 4444, etc.

Timeline editing easily trim, cut, delete, and join
To output videos you can drag relative source from resource list and trim, cut, delete, and join. You can seek the clip frame by frame.

Add 3D and other special effects to clips on timeline
Want to get 3D effect to your clips? It’s easy with Media Magician. Just a one click, you can add the effect. And you can also add simple Gauss blur, old film, etc.

Enlarge or reduce original volume
If the volume is too large or too small, you can drag bar in Volume Adjustment section to enlarge or reduce.

Adjust brightness, contrast, and saturation
For footages shot with low light or bad color, you can easily make them better with the help of brightness, contrast, and saturation adjustment.

Easily choose output formats with one click
With the preset output profiles, you can choose the right settings with just one click.

Output different formats from the same sources on timeline
In conversion settings section, you can create several conversion tasks with different output formats and output from the same sources placed on timeline.

Directly upload videos to YouTube
The converted videos can be uploaded to YouTube directly as long as you have set your account and relative information.

Output M2TS, MPEG-4/2, MKV, MOV, WMV, AVI files
It supports output formats like M2TS, MPEG-4 (*.mp4), MPEG-2 (*.mpg), MKV, MOV, WMV, and AVI. You can reset parameters with ease.

Easy steps to edit videos with the easiest & best video editing software

Step 1. Import video clips from hard drive or camcorder.

If importing from camcorder, clicking on the camcorder button, Media Magician will help you detect the camcorder videos. You can preview and choose which one to import, sort them by year/month/date/type, or backup files to Local hard drive.



Step 2. Before editing or converting, you must drag the imported clips to timeline.

On the timeline, you can cut, trim, delete, rearrange clips without difficulties.

Put your cursor on the preview window while the video is playing, you can choose the specific frames for trimming or cutting. If you imported original MTS or M2TS files with same parameters, trim and cut the videos on timeline, and choose lossless output format in conversion tab, you will get the MTS or M2TS files trimmed or cut without any quality loss. This will help you always keep useful clips and periods. Save your storage space and keep you from spending money on those expensive storage spaces.



Step 3. Edit the video by Add effects, adjust brightness and volume, etc.
You can go to the right tabs to add special effects like aged file, simple gauss blur, gray, etc. If you shot the video in vertical or upside down, you can easily flip it to the right location with just one click. If the video is shot in dark environment, you can even adjust it to make it brighter. Volumes also can be enlarged or reduced easily.

If you like, you can also add red-blue or red-green 3D effect to the video.
Note: Options in this section will not take effect on the clip if you want to output lossless video formats.



Step 4. Choose the right output format and convert in batch.

Switching to the conversion tab, you can create conversion tasks by clicking the “+” button. Highlight a task on the left, and you can choose the output format on the right under relative category. Clips you placed and edited on the timeline can be output into different formats in batch.



Note:

1. Lossless: Only MTS/M2TS/MOD/TOD format videos with the same parameters can be output without loss. You can either output original format or MKV format.

2. Online: As long as you have inserted your account info, you can upload the output video automatically after conversion. And the video can be saved into MP4 or WebM format.

3. If you are using the Mac version, you can output Apple Prores format for importing and editing in Final Cut Pro without rendering. But you must install Final Cut Pro 7 or above in advance.

With the different output formats options, you can convert videos for editing in non-linear video editing software, Android/ iOS/ Windows 8 Tablets & Phones, uploading to Youtube and more. You will find it an all-in-one and intuitive video editor and converter.

Find the words too annoying? The following animation will show you the steps to edit videos with Media Magician.

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Make Sony HDR-PJ780 1080 50/60p AVCHD Editable in iMovie and FCE

Summary: To import 50/60p AVCHD mts video clips from Sony PJ780 to iMovie/FCE, you just need to get a top Sony MTS Converter to help you to convert AVCHD to most compatible video format (AIC MOV) with Mac iMovie and FCE. 

Sony PJ780 Reviews: 

Balanced Optical SteadyShot paired with current video technology at the height of the time could be the Sony HDR-PJ780 quickly becomes the darling ambitious videographers.Sony would have unlocked a second time, the full manual control and the image characteristics of the camera.Conversely, those who anyway only in automatic mode at the PJ780 films should have a lot of fun.One can in many cases save a tripod and maybe there are here and there even a suitable use for the built-in projector.

Pros:

• Image Stabilizer 
• Wide Angle 

Cons:

• Image characteristics can not be changed 
• Few image control options 
• Small (touch) screen 

Sony HDR-PJ780 can films full HD 1080 video recording at 50/60, 25 and 24 fps in AVCHD format, also supports 720p MPEG-2 format. It is an excellent camera for us to record vivid videos, especially the AVCHD format can deliver stunning picture quality, unfortunately, iMovie/FCE doesn't support 50/60p from your camera Sony PJ780.

As we know, iMovie and FCE favorable video format is Apple Intermediate Code(AIC). The best and quick solution is to transcode Sony PJ780 50/60p AVCHD to AIC with iMovie/FCE best supported codec and format AIC .mov. Then you can handle your Sony PJ780 AVCHD in iMovie/FCE effortlessly.

Here we recommend you to choose a top MTS to AIC Converter for mac to transfer Sony PJ780 MTS recordings for iMovie 9 or FCE 4 editing. With this Mac AVCHD Converter, you not only can easily transcode Sony PJ780 1080 50/60p AVCHD clips to MOV files with AIC codec for your iMovie/FCE with the preset profiles, but also can combine several clips into one for easy importing/editing into iMovie and FCE.

As for how to convert Sony PJ780 50/60p AVCHD to iMovie or Final Cut Express, you can follow the bellow steps.

Step 1: Load MTS files.

Connect Sony HDR-PJ780  to your Mac via USB 2.0, or insert your SD Card to Mac. You can browse the .mts files from AVCHD > BDMV > STREAM. And then insall and luanch the best Mac Sony MTS to AIC Converter. Click the “File” or the related label to add the .mts files from your Camcorder.

Tips: If you want to merge multiple 1080 50/60p MTS clips into one, please tick “Merge into one file” box to merge the files into one single file.

Step 2: Choose output format.

Click on the “Format” and move you pointer to “iMovie and Final Cut Express” on the dropdown menu, choose it for natively editing Sony MTS files in iMovie and FCE.



Step 3: Set the best video profile for FCE/iMovie editing Sony HDR- PJ780 MTS files.

Click the “Settings” icon and you will be led to the “Profile Settings”, on which page you can customize the codec, bit rate, frame rate, sample rate and audio channel according to your needs and optimize the output file quality.



Tricks:

1. 30 fps, and video size as 1920*1080 are recommended parameters to keep the best quality for editing MTS footages in Final Cut Express or iMovie.

2. If you want to have a smaller file size but keep the good quality, you can change the video size to 1440*1080.

Step 4: Convert Sony PJ780 50/60pMTS to AIC MOV. 

Click the “Convert” button, it will start the fast transcoding Sony HDR- PJ780 50/60p MTS to ProRes for FCE/iMovie on Mac. You can get the estimated time and video size in the “Conversion” interface.

After Sony MTS to AIC conversion, you will be able to get the output files for FCE/iMovie by clicking on “Open” button. Now you can import and edit Sony HDR-PJ780 1080 50/60p MTS in FCE or iMovie easily and effortlessly.

Free Download Sony MTS Converter for Mac

Read More:

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Losslessly transcode Panasonic AJ-HPX3100 P2 MXF to Final Cut Pro for editing

Summary: To make it easier for editing Panasonic AJ-HPX3100 P2 AVC-Intra MXF videos on FCP 6/7/X, you need to convert P2 MXF to ProRes codec for FCP with a professional P2 MXF converter Mac.

Panasonic AJ-HPX3100 is a high-end professional camera which offers high image quality and performance for high-end video production. This camera's native effective resolution is 1920 x 1080 and features 3x 2/3" 2.2MP CCD sensors for high quality imagery. Recording is possible in AVC-Intra 100, AVC-Intra 50, and DVCPRO HD; 4:2:2 full raster sampling is supported in the AC-Intra 100 format.

After make some footage on the Panasonic AJ-HPX3700, you may want to edit the P2 MXF files in Final Cut Pro. However, you may face the problem that FCP 6/7/X does not recognize the P2 AVC-Intra MXF .mxf videos. This is due to the unfriendly codec.

To smoothly import AJ-HPX3700 P2 footage into Final Cut Pro, you can need a professional P2 MXF Converter for Mac, which is a great Mac Panasonic MXF Converter to help me make the P2 MXF to FCP compatible ProRes transcoding. It offers the optimal preset profiles for Apple ProRes including ProRes 422, ProRes 422 (HQ), ProRes 422 (LT), ProRes 422 (Proxy) and ProRes 4444 for you to choose. And there is no need to worry about the quality loss. Now please follow the steps to transcoding AJ-HPX3700 P2 MXF to Final Cut Pro (FCP 6/7 and FCP X) with Apple Prores codec.

How to convert P2 Card MXF footage from Panasonic AJ-HPX3100 to ProRes 422 HQ

Step 1. Connect your AVC-Intra MXF Camcorder to iMac with USB 2.0 cable or use card reader to transfer the P2 AVC-Intra .mxf files to Apple hard drive disk.



Step 2. Add Panasonic AJ-HPX3100 P2 AVC-Intra MXF videos to this top Mac Panasonic MXF Converter.

Run Pavtube MXF Converter for Mac, and click the "Add Files" button to load the P2.mxf videos.
 

Step 3. Choose MOV with Apple ProRes 422 codec for Final Cut Pro 6/7/X.

Click the "Profile" option, and move mouse cursor to Final Cut Pro > Apple ProRes 422 HQ (*.mov) as output format. To get 1080 videos, we need to click the "Settings" button and choose 1920*1080 as output video resolution.


Step 4. Specify output file path. Click on "Browse" and browse to where you'd like to save target Apple ProRes 422 HQ video.

Step 5. Convert Panasonic AJ-HPX3100 P2 MXF to ProRes 422 HQ MOV for Final Cut Pro 6/7/X.

Click the "Convert" button and the Mac MXF Video converter would start converting Panasonic AJ-HPX3100 AVC-Intra MXF videos to Apple ProRes 422 MOV immediately.

Step 6. Press "Open" to locate result video. Launch FCP 6/7/X, and go to "File > Import > Files…" to import converted P2 footage to FCP project.



The software also converts P2 MXF and Canon MXF video to compatible formats for FCE/iMovie, Avid, Adobe Premiere Pro, After Effects, etc. You can convert Panasonic P2 MXF to AIC .MOV for FCE and iMovie, or transcode Panasonic AVC-Intra MXF to H.264 MOV, DV, AVI, M4V, MPG for Avid, Adobe Premiere Pro, and After Effects.

MXF files bite up storage. If you have lots of MXF video stored on Mac HDD and are now ending up with plenty of long files with only a few short gems, it is recommended that you use Bytecopy for Mac to import MXF and trim long video clips in Apple ProRes as well as common video formats (MOV, AVI, MP4, M4V, etc).

Read More:

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Sony PMW-400 XAVC camcorder Review -XAVC video format latest news

Sony gave its XAVC codec another boost at NAB in Las Vegas with the introduction of a new broadcast camcorder that supports it. It also extended XAVC downwards for prosumer and consumer users. In other news, Sony also introduced a new studio/OB camera. 

  

The new PMW-400 shoulder-mount camcorder (pictured above) is an “affordable” broadcast camera with three 2/3-inch high quality Exmor CMOS sensors – boasting good low-light sensitivity of F12 at 59.94Hz and F13 at 50Hz. 

Like the popular PMW-500, it supports all current SD and HD 4:2:2 broadcast workflows based XDCAM EX using the .MP4 and .AVI codecs (including MPEG2 HD422@50Mbps, HD420@35Mbps or 25Mbps, MPEG IMX@50Mbps and DVCAM), recording to SxS memory cards, MemoryStick, SD card or XQD card (FAT32 formatted). It can also record .MXF broadcast files can on SxS and XQD cards (UDF formatted).
The camera, which will be available from August, is also future-proofed by supporting the new XAVC codec to offer 10-bit HD422 recordings, including XAVC Intra frame 10-bit HD422 100Mbps and XAVC Long GOP 10-bit HD422 (low bit rate) – although only up to 25p or 30p in HD (naturally, 4K is not supported).

The PMW-400K comes with a 16x zoom HD lens, while the PMW-400L ships without a lens. Both feature: a high resolution 960x540 colour LCD viewfinder; 3DNR noise reduction processing (to give a typical signal to noise ratio of 60dB); an internal flash band reducer to avoid the disconcerting rolling shutter effect that shows camera flash on part of a frame (which will arrive via a firmware update); gain selection from -3dB up to +42dB maximum gain; dual SD/HD-SDI parallel outputs, HDMI out, Time Code in/out and Gen-lock input.

In a throwback to almost forgotten tech it also has an i.LINK (DV – four-pin FireWire) input and recording.

Power consumption is about 23W with LCD, viewfinder, lens and microphone.



“We’ve designed the PMW-400 to acquire high quality, clean images especially in low-light environments. It’s very ergonomically-balanced, easy to operate and includes features that make it fit seamlessly into various types of productions and workflows. This really opens up new opportunities around cost efficiency and flexible shooting to achieve the desired results,” said Fabien Pisano, Strategic Marketing Head, Sony Europe.

The camcorder can also allow live logging from a tablet or smartphone via WiFi. If you add the new CBK-WA100 wireless adapter, content can be wirelessly uploaded via ftp to a customer’s server or cloud service via the 3G/4G mobile phone network.

An optional CBK-CE01 50-pin interface converts the shoulder camcorder to a system camera (for studio/OB use), offering compatibility with CA-TX70 digital triax and CA-FB70 fibre adapters.

New XAVC S format for prosumers

Sony has announced a prosumer/consumer version of the XAVC codec. It is a Long GoP (Group of Pictures) format, and will deliver 4K at 4:2:0 (ie with less colour information) and HD at 4:2:2 (which is the broadcast standard for colour information – giving enough data for high-quality chroma keying). This high-efficiency version of the codec has been designed for the broader content production market. Besides serving the consumer market, XAVC S, which employs an MP4 (H.264) wrapping format, will also help to expand XAVC, to help encourage the growth of 4K content in the consumer market.

The XAVC S profile will encompass: 4K (3840 x 2160), HD, and Proxy resolutions; MPEG-4 AVC/H.264 compression; the MP4 wrapping format; and both Linear PCM and AAC audio. Each manufacturer signing up to support XAVC S will be able to decide which profile and operating point of XAVC they will implement in their products.

XAVC is an open format, and was designed to help promote and establish 4K content production. A license program is proposed not only for editing software manufacturers but also for hardware manufacturers. Currently, more than 60 manufacturers have filed a request to become a licensee, and 31 manufacturers’ products plan on their support for the Sony XAVC format and workflow.

The current list includes: Abekas, Adobe, Assimilate, Astrodesign, Avid, Blackmagic Design, Cinegy, Codex Digital, Colorfront, CyberLink, Digital Vision, EVS Broadcast, Fairlight, FilmLight, Final Cut Pro X, Firefly Cinema, Grass Valley, Harris Broadcast, IBEX Technology, Imagination Technologies, Matrox, MTI Film, Pegasys, Quantel, Rohde & Schwarz DVS, Rovi's MainConcept, SAKURA EIKI, Sobey Digital Technology, Sony Vegas Pro 12, YoYotta, and Zaxel Systems.

Digital triax transmission

Also at NAB, Sony unveiled the latest in its HDC-2500 range of studio/OB cameras. The HDC-2570 HD Portable Camera with three 2/3-inch Power HAD CCD sensors, has a digital triax transmission interface that allows the transmission of 1080p or 2xSloMo signals (1080i – at 100 or 120fps) over triax cables.

“From speaking to our customers we know that while the adoption of fibre optic transmission systems is growing, many existing venue infrastructures are still triax based,” said Claus Pfeifer, Strategic Marketing Manager, Sony Europe.



“We believe customers should be able to generate outstanding content, regardless of what setup is in place. Our Digital Triax Camera System uses state-of-the-art technology to deliver broadcast quality content at 1080 50p/60p through traditional triax cables, with extremely low latency. The system is also extremely flexible, a key factor in sports production, making it easy to switch from triax to fibre as required.”


The same technology is being extended to the existing HDC-2400/2500/2550 system cameras via the new HKC-TR27 digital triax adaptor side cover (pictured above).

There is also the HDFX-200 external converter box that interfaces with triax to fibre to enable the digital signals to feed into the HDC-2000/2500 Camera Control Unit (CCU) via conventional triax cable, while the HDTX-200 field converter box (available end of August) allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not have HKC-TR27 digital triax adaptor technology.

From: http://urbanfoxtv.blogspot.com/2013/04/sony-pmw-400-xavc-camcorder.html

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Convert XAVC to AVI/WMV/MOV/MP4/FLV
Upload XAVC for sharing
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Does Adobe Premiere adds Sony F55/F5 4K XAVC support?

Following Guide on Sony F55/Sony F5 Workflow for Getting 4K XAVC Files into Premiere Pro.

Sony PMW-F55/F5 are two large-single-sensor cine cameras. Each cameras record XAVC having a colour depth of 10-bits and 4:2:2 chroma subsampling. Sony PMW-F55 can record XAVC with 4K resolution at 30 fps at 300 Mbit/s and 2K resolution at 30 fps at one hundred Mbit/s. And Sony PMW-F5 can record XAVC with 2K resolution at 30 fps at one hundred Mbits/s.

About the XAVC format, how much do you know? Well, the XAVC format is not yet widely adopted in the marketplace. After shooting HD XAVC video files with 4K resolution, you may plan to conduct post production to the PMW-F55 (or PMW-F5) XAVC footages with your editors like Adobe Premiere Pro. Are you troubled with how to edit Sony 4K XAVC with Premiere Pro as below:

Wondering if anyone can help. PLEASE HELP!!!

Trying to get 1080p XAVC footage from an F5 to work in Pr CS6 (Mac). It imports, but when I try to do anything with it, it crashes. Apparently I need a plug in. Looked at Rovi Totalcode but it's $350 and only for a PC.

Does anyone know what I can possibly do???"

Because F55/F5 records videos in XAVC format, which can be not accepted by Adobe Premiere, several users locate it tough to edit such XAVC files, so, right here I'd prefer to introduce a simple approach to do the job with importing Sony F55/F5 4K XAVC to Premiere Pro.

Required tool:

Pavtube HD Video Converter for Mac - A professional XAVC to Premiere Pro Converter



PS. If you run PC, pls download and buy XAVC  Converter

The Mac XAVC Converter for Premiere Pro provides customers with several simple editing functions, including cropping, trimming, deinterlacing, watermarking, adding special effects, and audio replacing, which help you do a fast and necessary editing on your footage before importing them to Premiere Pro Media Composer. It also supports versatile output options for iPad, Android tablets and mainstream editing software.

How to Convert Sony F55/F5 4K XAVC Videos to Premiere Pro 

Step 1. Run the Mac XAVC Converter as the perfect Pro ProRes to MPEG Converter, and add your XAVC footage into this program.

Step 2. Click on "Format" bar and select output format from drop-down list. Premiere Pro prefers AVI or MPEG format for editing.

Here I suggest you follow "Adobe Premiere Pro/Sony Vegas" to select "MPEG-2 (*.mpg)" or "WMV (VC-1) (*.wmv)" format. You can also choose "Format -> HD Video -> MPEG-2 HD Video(*.mpg)" as out format for Premiere Pro.



Step 3. You can control output video quality by setting resolution, bitrate and frame rate in "Settings". For preserving 5.1 channels surround sound, set audio channels to "5.1 channels" instead of Stereo. To keep 1080p full HD high quality, you can set video bitrate up and Size to 1920x1080.

Step 4. Click on the "Convert" button to start converting XAVC video files to Premiere Pro supported MPEG format. By ticking off the checkbox before "Merge into one file" option, you can combine all the checked videos into one file.

When conversion is completed, you can click "Open" to get the Premiere Pro MPEG files from its default output folder.

Now open up Adobe Premiere Pro and you're ready to import XAVC recordings to Premiere Pro CS4/CS5/CS6 for post-production~

See also:

• Sony F55/F5 XAVC 4K videos and Avid Media Composer, Xpress Pro workflow 
• Convert Sony PMW-F55 XAVC to Prores for FCP
• Transcode Sony PMW XAVC to AIC for iMovie
• Convert XAVC to MOV, MKV, AVI for editing and playing

MXF workflow for Canon XF305 and Final Cut Pro 6/7

By transcoding Canon XF305 MXF to ProRes MOV format, you can easily import & edit XF105 recorded MXF footage in Final Cut Pro 6/7 without rendering.

Canon XF305 is a successful example in the XF series camcorders, it record vivid HD videos in MPEG-2 compression. MXF is excellent, however, it is not an ideal editing format for FCP 6/7, that is to say, you can't import and edit Canon XF305 in FCP 6/7,for example:

I got Canon XF305 recently and it output MPEG-2 MXF files. I tried to import the MXF videos to Final Cut Pro 6/7, but it did not recognized. Any suggestions? How can I solve this problem? Thanks.


To smoothly edit Canon XF305 MXF in FCP 6/7, the conversion between Canon MXF and Final Cut Pro is necessary. Here, Pavtube's MXF to Final Cut Pro Converter for Mac is highly recommended, which can convert Canon XF305 MXF to MOV,say, the Apple ProRes encoded MOV format on Mac.

It is good at batch converting MXF recordings shot by Panasonic P2 camcorders, Canon XF series cameras to ProRes/AIC MOV formats compatible with your Mac Video editing software like Final Cut Pro (x), iMovie, Final Cut Express. Now follow the guide below to convert Canon XF305 MXF to FCP ProRes MOV easily on Mac.

Guide- Convert/Transfer Canon XF305 MXF to ProRes for FCP 6/7 editing smoothly 

Step 1. Free download and run the best Canon MXF to FCP Converter for Final Cut Pro 6/7, add MXF captured videos to the program.

You can not only click "add video" button to import Canon mxf files, but also you can click "add from folder"button to add MXF folder.




Step 2. Select output profile. If you want to edit MXF file in Final Cut Pro 6/7, suggest you choose Final Cut Pro > Apple ProRes 422(*mov).

Step 3. Click Convert" button to start transcoding Canon XF305 MXF to ProRes MOV for Final Cut Pro 6/7.

Some more helpful features of the batch MXF to MOV Converter for Mac:

1. Settings- click to set video resolution(1920×1080/1440×1080/1280×720/720×480), bitrate (from 1Mbps to 20Mbps), frame rate (24p/30p)

2. Editor (next to "Add" icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

Once the MXF to MOV Conversion is done, you can go to the output folder to find the converted video files. Now you are free to import Canon XF305 MXF files in Final Cut Pro for editing under Mac without problems.

Read More:

• MXF & FCP X Workflow: Help Importing MXF into FCP X
• Video Solution: Edit XDCAM MXF in Adobe Premiere Pro CC
• Import Panasonic HVX2000A MXF Files to Avid MC for Editing
• Import Canon C300 Mark II 4K MXF to iMovie on Mac
• Convert Panasonic AJ-HPX2700 P2 MXF to Avid/Premiere/Sony Vegas Pro
• How to Convert Camcorders MXF to any formats on Mac (macOS 10.12 Sierra included)
• Convert H.265 Files to Apple Prores 4444